LOS ANGELES TIMES: L.A.’S GRAFFITI TOWERS BECOME MINIATURIZED SYMBOLS OF WASTE AND NEGLECT IN SAYRE GOMEZ’S ARRESTING GALLERY SHOW
In a review of Sayre Gomez’s current exhibition, Precious Moments, at our LA gallery, Sharon Mizota writes, “His precious moments are not memories of an idealized past, nor projections of a tantalizing dream, but interventions in our complex present that reveal beautiful and unsettling layers.” Read more here.
NEW YORK TIMES: IN SAYRE GOMEZ’S ART, L.A.’S PROBLEMS MOVE FROM REAL TO HYPER-REAL
Recognized by The New York Times as “a leading documentarian of the urban fabric of Los Angeles,” Sayre Gomez presents his first solo exhibition with David Kordansky Gallery, on view through March 1, 2026. Read more here.
LOS ANGELES TIMES: THIS ARTIST LOST TWO HOMES TO L.A. FIRES IN FIVE YEARS, THEN RAISED $1.74 MILLION TO HELP OTHERS RECOVER
In the Los Angeles Times, Kathryn Andrews shares how personal loss shaped her community-oriented practice. Read more here.
CULTURED MAGAZINE: LAUREN HALSEY FOLLOWS A NUN’S RULES TO MAKE THE MOST OUT OF HER TIME IN THE STUDIO
In conversation with Cultured Magazine, Lauren Halsey discusses her creative routines in the studio. Read more here.
ARTNET: CAN A PAINTER ESCHEW STYLE? A LOOK AT TRISTAN UNRAU'S BIG SWING
Tristan Unrau discussed his painting practice in a major Artnet feature, ahead of his upcoming exhibition opening in March 2026 at David Kordansky Gallery in Los Angeles. Read more here.
FRIEZE: THE TEN BEST SHOWS IN THE AMERICAS OF 2025
Derek Fordjour's visionary Los Angeles exhibition, Nightsong, was selected by Frieze as one of the ten best exhibitions in the Americas in 2025. Read more here.
TEXAS MONTHLY: WHEN THE BACK OF A VAN IS A WORK OF ART
Mario Ayala spoke with Texas Monthly about his solo exhibition, Seven Vans, on view through June 21, 2026 at Contemporary Arts Museum Houston. Read more here.