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In The New York Times feature on sister dreamer, Lauren Halsey shares: “For me to be able to sleep at night, my artwork needs to be charged with something more. This is the first time in my practice where I’ve been able to assert that something more and to be in collaboration with a neighborhood to do it.” Read more here.

Leading up to his Independent presentation, Jason Fox speaks with John Chiaverina about pop cultural references and broader art historical influences that shape his new works. Read more here.

Lauren Halsey speaks with NBC Los Angeles about sister dreamer, her new outdoor sculpture park honoring the people and the neighborhood. Read more here.

A recent Los Angeles Times feature looks at Lauren Halsey’s sister dreamer as “both a once-in-a-lifetime artwork and a free, public venue where every day, from dawn till dusk, people can live and imagine.” Read more here.

In The New Yorker review of Torbjørn Rødland’s exhibition, Chris Wiley writes about “his pictures’ flummoxing, beguiling mélange of romanticism, humor, spirituality, sex, horror, glamour, and poignancy.” Read more here.

In a recent review and interview with Tristan Unrau, Emma Schartz writes, “Hopes and Fears presents contradictions such as sincerity and artifice, humor and melancholy, reverence and play, not as problems to resolve, but the conditions under which painting still feels alive.” Read more here.

In conversation with Lily McMenamy, Torbjørn Rødland discussed his current exhibition at our NY gallery: Bones in the Canal and Other Photographs. Read More here.

Ahead of the opening, the Los Angeles Times features Lauren Halsey’s sister dreamer, a monumental public installation celebrating South-Central Los Angeles and the neighborhood’s past, present, and future. Read more here.

Recognized by The New York Times as “a leading documentarian of the urban fabric of Los Angeles,” Sayre Gomez presented his first solo exhibition with David Kordansky Gallery. Read more here.