Aaron Curry
AARON CURRY
born 1972, San Antonio, TX.
lives and works in Los Angeles, CA.
EDUCATION
2005
MFA, Art Center College of Design, Pasadena, CA.
2002
BFA, School of the Art Institute of Chicago, Chicago, IL.
SELECTED SOLO EXHIBITIONS
2008
UCLA Hammer Museum, Los Angeles, CA.
Galerie Daniel Buchholz, Berlin, Germany
Galerie Daniel Buchholz, Cologne, Germany
2007
Michael Werner Gallery, London, England
2006
Bank Robber, David Kordansky Gallery, Los Angeles, CA.
SELECTED GROUP EXHIBITIONS
(* indicates a publication)
2008
Aaron Curry, Richard Hawkins, Peter Saul, David Kordansky Gallery, Los Angeles, CA.
Series Drawings, Michael Werner Gallery, New York, NY.
Aaron Curry, Richard Hawkins, Peter Saul, David Kordansky Gallery, Los Angeles, CA.
Series Drawings, Michael Werner Gallery, New York, NY.
Black Swan, curated by Aaron Curry and Thomas Houseago, Michael Werner Gallery, London, England
Open Plan Living, Art Tel Aviv 08, curated by Andrew Renton. Tel Aviv, Israel
Friends and Family, Anton Kern Gallery, New York, NY.
Nobody Puts Baby in a Corner, Isabella Bortolozzi Galerie, Berlin, Germany
2007
Open Plan Living, Art Tel Aviv 08, curated by Andrew Renton. Tel Aviv, Israel
Friends and Family, Anton Kern Gallery, New York, NY.
Nobody Puts Baby in a Corner, Isabella Bortolozzi Galerie, Berlin, Germany
2007
*Unmonumental: The Object in the 21st Century, The New Museum of Contemporary Art, New York, NY.
Post Rose: Artists In and Out of the Hazard Park Complex, Galerie Christian Nagel, Berlin, Germany
Sculptors' Drawings: Ideas, Studies, Sketches, Proposals, And More, Angles Gallery, Santa Monica, CA.
L.A. Desire, curated by Wilhelm Schurmann, Galerie Dennis Kimmerich, Dusseldorf, Germany
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art Detroit, Detroit, MI.
Aspect, Forms and Figures, curated by Joao Ribas, Bellwether Gallery, New York, NY.
*Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, IL.
2006
Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL.
L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden.
Untitled (for H. C. Westermann), The Contemporary Museum, Honolulu, HI.
25 Bold Moves, curated by Simon Watson and Craig Hensala of Scenic, House of Campari, Venice Beach, CA.
Cloudbreak, Organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan.
The Figs Play Fox Dead, David Kordansky Gallery, Los Angeles, CA.
2005
Southern Exposure, Wight Gallery, UCLA, Los Angeles, CA.
Autonomy, Foxy Production, New York, NY.
2004
Group Show, Worth Ryder Gallery, UC Berkeley, CA.
2002
The Anniversary Show, 1R Gallery, Chicago, IL.
SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)
2006
Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL.
L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden.
Untitled (for H. C. Westermann), The Contemporary Museum, Honolulu, HI.
25 Bold Moves, curated by Simon Watson and Craig Hensala of Scenic, House of Campari, Venice Beach, CA.
Cloudbreak, Organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan.
The Figs Play Fox Dead, David Kordansky Gallery, Los Angeles, CA.
2005
Southern Exposure, Wight Gallery, UCLA, Los Angeles, CA.
Autonomy, Foxy Production, New York, NY.
2004
Group Show, Worth Ryder Gallery, UC Berkeley, CA.
2002
The Anniversary Show, 1R Gallery, Chicago, IL.
SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)
2008
Holte, Michael Ned, “Peter Saul,” Artforum, Summer 2008, p. 392
Douglas, Sarah, "Sales Swift at Liste, Weak Dollar and All," artinfo.com, June 2, 2008
Launay, Aude, “Wassup Britney?”, 02/45, Spring 2008, p. 27
2007
Holte, Michael Ned, “Peter Saul,” Artforum, Summer 2008, p. 392
Douglas, Sarah, "Sales Swift at Liste, Weak Dollar and All," artinfo.com, June 2, 2008
Launay, Aude, “Wassup Britney?”, 02/45, Spring 2008, p. 27
2007
Wehr, Anne, “Unmonumental: The Object in the 21st Century,” Time Out New York, Issue 636, December 6 – December 12, 2007
*"Unmonumental: The Object in the 21st Century.” New Museum of Contemporary Art, 2007
*“Red Eye: Los Angeles Artists from the Rubell Family Collection,” Rubell Family Collection, 2007
“The Artists’ Artists,” Artforum, December 2007, p.122.
Tumlir, Jan, "Sci-fi Historicism Part 3: Character Animation in Cotemporary Los Angeles Art," Flash Art, July-September 2007, pp. 120-124
Holte, Michael Ned, "Openings," Artforum, Summer 2007, pp. 481-483
Tumlir, Jan, "Sci-fi Historicism," Flash Art, May-June 2007, pp 118-121
Bartels, Daghild, “Jeder Penny fur die Kunst.” Parnass, January 2007, p. 77
Smith, Roberta, “Michael Queenland: Bread & Balloons,” The New York Times, March 9, 2007
Cotter, Holland, "Art in Review: Aspects, Forms, and Figures," The New York Times, E30, March 2, 2007
Cotter, Holland, "Art in Review: Aspects, Forms, and Figures," The New York Times, E30, March 2, 2007
Kino, Carol, “ART; Welcome to the Museum of My Stuff,” The New York Times, Section 2, p. 30, February 18, 2007
*Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007
*Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007
2006
Mason, Christopher, “It’s what’s on the inside that counts: New acquisitions in some familiar territory,” Art Basel Miami Beach 2006, December 2006, p. 98B.
Mason, Christopher, “It’s what’s on the inside that counts: New acquisitions in some familiar territory,” Art Basel Miami Beach 2006, December 2006, p. 98B.
Smith, Roberta, “More Than You Can See: Storm of Art Engulfs Miami,” The New York Times, December 9, 2006
Garnet, Daisy, “The Collector: Why the Collector Mera Rubell Keeps it All in the Family.” The New York Times Magazine, December 3, 2006, pp. 74.
Garnet, Daisy, “The Collector: Why the Collector Mera Rubell Keeps it All in the Family.” The New York Times Magazine, December 3, 2006, pp. 74.
Rochette, Anne and Wade Saunders, "Place Matters: Los Angeles Sculpture Today" Art in America, November 2006, p. 174
Brooks, Amra, “Must See Art,” LA Weekly, November 15, 2006
*Rooks, Michael, "Dreaming of a Speech Without Words: The Paintings and Early Objects of H.C. Westermann", The Contemporary Museum, Honolulu, Hawaii, 2006
Brooks, Amra, “Los Angeles Roundup: A Report on Current Gallery, Museum Shows,” Artinfo.com , April 2006
Cotter, Holland, “The World Tour Rolls Into Town, Sprawling but Tidy (Art Review: The Armory Show),” The New York Times, March 10, 2006, pp. E29, E41
2005
Cotter, Holland, "Autonomy", The New York Times, September 30, 2005
Brooks, Amra, “Los Angeles Roundup: A Report on Current Gallery, Museum Shows,” Artinfo.com , April 2006
Cotter, Holland, “The World Tour Rolls Into Town, Sprawling but Tidy (Art Review: The Armory Show),” The New York Times, March 10, 2006, pp. E29, E41
2005
Cotter, Holland, "Autonomy", The New York Times, September 30, 2005