David Noonan
DAVID NOONAN
born 1969, Ballarat, Victoria, Australia
lives and works in London, UK
EDUCATION
1987-89 BFA, Ballarat University College, Victoria, Australia
1991-92 Post Graduate Studies, Victorian College of the Arts, Melbourne, Australia
SELECTED SOLO EXHIBITIONS
(* indicates a publication)
2008
HOTEL, London, England
Chisenhale Gallery, London, England
MARKUS, Roslyn Oxley9 Gallery, Sydney, Australia
Museum Of Contemporary Art, Sydney, Australia
Art:Concept, Paris, France
2007
David Noonan, Palais De Tokyo, Paris, France
2006
David Kordansky Gallery, Los Angeles, CA.
2005
Images, Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand
*David Noonan: Films and Paintings 2001-2005. Monash University Museum of Art, Melbourne, Australia
David Noonan, HOTEL, London, England
2004
*'they became what they beheld', Foxy Production, New York, NY.
*'they became what they beheld', Three Walls, Chicago, IL.
Paintings, Uplands Gallery, Melbourne, Australia
2003
Before and Now, Roslyn Oxley9 Gallery, Sydney , Australia
Miriam Hall, (with Starlie Geikie), Clubs Projects Inc., Melbourne, Australia
SOWA, (with Simon Trevaks), Artspace, Sydney, Australia
SOWA, (solo and a collaboration with Simon Trevaks), Foxy Production, New York, NY.
2002
Waldhaus, Uplands Gallery, Melbourne, Australia
The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
2001
The Likening, David Noonan & Simon Trevaks, Studio 12, 200 Gertrude Street, Melbourne, Australia
100 mph, David Noonan & Simon Trevaks, Project Room, ARCO 2001, Madrid, Spain
2000
more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
100 mph, David Noonan & Simon Trevaks, Australian Centre for Contemporary Art, Melbourne, Australia
1999
99, David Noonan & Simon Trevaks, Project Space, RMIT, Melbourne, Australia
Saturn Return; The Mishap, KUNSTKANAL broadcast May 5, The Netherlands
1998
Saturn Return, 1st Floor, Melbourne, Australia
1997
head on, Karyn Lovegrove Gallery, Melbourne, Australia
head on, Centre for Contemporary Art, Adelaide, Australia
1995
David Noonan, Karyn Lovegrove Gallery, Melbourne, Australia
Omega Time, The Building 40 Project, RMIT, Melbourne, Australia
1994
Model/City, Site Specific Video Installation, A Critical Cities Project, Melbourne, Australia
1993
POOL, Karyn Lovegrove Gallery, Melbourne, Australia
Type 1-28, Charles Williams Gallery, RMIT, Melbourne, Australia
Type 1-36, 200 Gertrude Street, Melbourne, Australia
SELECTED GROUP EXHIBITIONS AND PROJECTS
(* indicates a publication)
2008
Gwangju Biennale, Gwangju, South Korea
Imaginary Thing, Aspen Art Museum, Aspen, CO.
That beautiful pale face is my fate (For Lord Byron), Nottingham Contemporary, Newstead Abbey, Nottinghamshire, UK
David Kordansky Gallery, Los Angeles, CA.
2005
Images, Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand
*David Noonan: Films and Paintings 2001-2005. Monash University Museum of Art, Melbourne, Australia
David Noonan, HOTEL, London, England
2004
*'they became what they beheld', Foxy Production, New York, NY.
*'they became what they beheld', Three Walls, Chicago, IL.
Paintings, Uplands Gallery, Melbourne, Australia
2003
Before and Now, Roslyn Oxley9 Gallery, Sydney , Australia
Miriam Hall, (with Starlie Geikie), Clubs Projects Inc., Melbourne, Australia
SOWA, (with Simon Trevaks), Artspace, Sydney, Australia
SOWA, (solo and a collaboration with Simon Trevaks), Foxy Production, New York, NY.
2002
Waldhaus, Uplands Gallery, Melbourne, Australia
The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
2001
The Likening, David Noonan & Simon Trevaks, Studio 12, 200 Gertrude Street, Melbourne, Australia
100 mph, David Noonan & Simon Trevaks, Project Room, ARCO 2001, Madrid, Spain
2000
more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
100 mph, David Noonan & Simon Trevaks, Australian Centre for Contemporary Art, Melbourne, Australia
1999
99, David Noonan & Simon Trevaks, Project Space, RMIT, Melbourne, Australia
Saturn Return; The Mishap, KUNSTKANAL broadcast May 5, The Netherlands
1998
Saturn Return, 1st Floor, Melbourne, Australia
1997
head on, Karyn Lovegrove Gallery, Melbourne, Australia
head on, Centre for Contemporary Art, Adelaide, Australia
1995
David Noonan, Karyn Lovegrove Gallery, Melbourne, Australia
Omega Time, The Building 40 Project, RMIT, Melbourne, Australia
1994
Model/City, Site Specific Video Installation, A Critical Cities Project, Melbourne, Australia
1993
POOL, Karyn Lovegrove Gallery, Melbourne, Australia
Type 1-28, Charles Williams Gallery, RMIT, Melbourne, Australia
Type 1-36, 200 Gertrude Street, Melbourne, Australia
SELECTED GROUP EXHIBITIONS AND PROJECTS
(* indicates a publication)
2008
Gwangju Biennale, Gwangju, South Korea
Imaginary Thing, Aspen Art Museum, Aspen, CO.
That beautiful pale face is my fate (For Lord Byron), Nottingham Contemporary, Newstead Abbey, Nottinghamshire, UK
Lost and Found, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria, Australia
In Geneva no-one can hear you scream, Blondeau Fine Art Services, Geneva, Switzerland, organised by Marc Jancou
A Fascinating Arrangement of Particles, Blondeau Fine Art Services, Geneva, Switzerland
Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne, Australia
Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands
2007
In Geneva no-one can hear you scream, Blondeau Fine Art Services, Geneva, Switzerland, organised by Marc Jancou
A Fascinating Arrangement of Particles, Blondeau Fine Art Services, Geneva, Switzerland
Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne, Australia
Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands
2007
Tokyo Redux, Palais de Tokyo, Paris, France
Duet, Lehmann Maupin Gallery, New York, NY.
The Present Order Is the Disorder of the Future, De Hallen Haarlem, Haarlem, The Netherlands
My Flashing Laundrette, Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy.
My Flashing Laundrette, Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy.
*Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, IL.
Galerie Guido W. Baudach, Berlin, Germany
2006
2006
“Life in Film: David Noonan”, Frieze, October 2006, p. 42 – 43
1999
"from #1", journal published by Witte de With Museum of Contemporary Art, Rotterdam, The Netherlands, 1999, pp.27-28
1998
rubik #3, two artist pages, 1998
1997
Broadsheet, front cover, vol.26, no 3, Spring 1997
1996
"Work, Interview with Kate Daw", published by William Mora Gallery, Melbourne, Australia, 1996
"David Noonan & Eliza Hutchison", Art Fan, Autumn 1996, p.21
1995-96
"Andrew McQualter", catalogue essay, 1st Floor, Melbourne, Australia, 1995; re-published in 1st Floor A495, pp.26-27, 1996
SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)
2008
Claire Armstrong, `David Noonan,' Art World, Issue 2, April/May 2008, pp. 74-79
`The Artist: David Noonan,' Bazaar insider, Harpers Bazaar Australia, March 2008, p. 200
Ascari, Alessio, “David Noonan,” Mousse, issue 13, March 2008, pp. 14 – 17
John Connelly Presents, New York, NY.
The Rings of Saturn, Tate Modern, London, England
A Constructed World, Gallery Side 2, Tokyo, Japan
Write On/Write Off, Chapman Fine Arts, London, England
Art Rock, Rockefeller Center, New York, NY.
25 Bold Moves, curated by Simon Watson and Craig Hensala of Scenic, House of Campari, New York, NY.
The General Store, Ulrich Museum of Art, Wichita State University, Wichita, KS.
Frank Hannon, Jacob Dahl Jürgensen and David Noonan, Foxy Production, New York, NY.
2005
Videobrasil International Electronic Art Festival, Sao Paulo, Brazil
A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, Melbourne, Australia
Slow Rushes, Artspace, Auckland, New Zealand
What are you showing here for? (the unlikely connexion), Trocadero Art Space, Melbourne, Australia
The Four Color Pen Show, Van Harrison Gallery, Chicago, IL.
The Difference between you and me, The Ian Potter Museum of Art, Melbourne, Australia
If These Walls Could Talk, Roslyn Oxley9 Gallery, Sydney, Australia
Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, FL.
2004
I feel mysterious today, curated by Dominic Molon, PBICA, Palm Beach, FL.
Supernatural Artificial, curated by Natalie King , Museum of Contemporary Photography, Tokyo, Japan
Instinct, curated by Liza Vasilou, Monash University Museum of Contemporary Art, Melbourne, Australia
The Infinite Fill Show, Foxy Production, New York, NY.
Glad Day, Foxy Production, New York, NY.
Southern, Home Gallery, Prague, The Czech Republic
PROJEKT#6, archive of Australian Video art, Kings, Melbourne, Australia
Freize art fair, with Uplands Gallery, London, England
Zoo art fair, with Hotel Gallery, London, England
NADA art fair, with Foxy Production, Miami, FL.
the moon will save our ass, pure screen 5, Castlefield gallery, Manchester, England
momenta, momenta gallery, New York, NY.
Infinite Fill, Foxy Production, New York, NY.
2003
Blinky 2: The Screening, Tate Britain, London, England
We love to kill what we love, 211 St. Johns Street, Clerkenwell, London, England
Out Takes, Kings, Melbourne, Australia
PROJEKT#6, archive of Australian Video art , Kings, Melbourne, Australia
Spaced Out, Australian Centre for Photography, Sydney, Australia
Rough Topography, Vedanta Gallery, Chicago, IL.
Art + Film, Centre for Contemporary Photography, Melbourne, Australia
Wallpaper, Australian Galleries, Works on Paper, Melbourne, Australia
2002
Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand
200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain
The Team Show, Uplands Gallery, Melbourne, Australia
May it return in spades, Bart Wells Institute, London, England
Resident, Foxy Production, New York , NY.
Listening to New Voices, PS1 Museum of Contemporary Art, New York, NY.
Peculiarly Pink, Luxe, New York, NY.
2001
Scenes, curated by Jeffrey Walkowiak, Henry Urbach architecture, New York, NY.
The Team Show: A Constructed World, Uplands Gallery, Melbourne, Australia
Egofugal, 7th Istanbul Biennale, Istanbul, Turkey
Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan
the likening, Studio 12, 200 Gertrude Street, Melbourne, Australia
Twenty, Oh One, video screening, The DCA, Dundee, Tramway, Glasgow, Scotland
low-down, Monash University Gallery, Melbourne, Australia
2000
Sporting Life, Museum of Contemporary Art, Sydney, Australia
Show View, Galerie 520, Salzberg, Austria
200 Gertrude St Studio Artists 2000, 200 Gertrude St, Melbourne, Australia
Paintings are Ace, curated by Clair Firth Smith, Linden Gallery, Melbourne, Australia
Garson Garson, Project Space, Melbourne, Australia
Nostalgia for the Apocalypse, PB Gallery, Melbourne, Australia
Passing Time, Moët & Chandon Commission, curated by Victoria Lynn, Art Gallery of New South Wales, Australia
Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand
Hard Candy, 42 Westbourne Gardens, London, England
1999
Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney, Australia
Blockbuster 99, curated by Ricky Swallow, UKS Gallery, Oslo, Norway
Museum Magogo, Glasgow Art Space, Glasgow, Scotland
Deacons Graham & James Award, Ian Potter Museum of Art, Melbourne, Australia
Signs of Life, Melbourne International Biennial, Australia
Exhumed II, curated by David Noonan, Canberra Contemporary Art Space, Braddon, Australia
Nearest Habitat System, curated by Eliza Huttchison, 1st floor, Melbourne, Australia
SPACE, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands
Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, Australia, NGA, Canberra, Australia
Where the wild roses grow, Transmission Gallery, Glasgow, Scotland
Walkmen, Ricky Swallow, David Jolly & David Noonan, Synasesthesia Music, Melbourne, Australia
1998
rubik#3, video verses watercolour, Wellington St, Melbourne, Australia
Slipstream, (video program), Centre for Contemporary Arts, Glasgow, Scotland
Be Seeing You..., one night of video by artists, Mori Gallery, Sydney, Australia
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne, Australia
Exhumed, Project Space, curated by David Noonan, RMIT, Melbourne, Australia
One hour photo, 1st floor, Melbourne , Australia
@, curated by Kate Shaw, 200 Gertrude St, Melbourne, Australia
Moët & Chandon Touring, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia
Work station, 1st Floor, Melbourne, Australia
xl[ent] Di? No! Might*, curated by Johny Gunshanan & Kevin Francis Gray, Palace Studios, Dublin, Ireland
Special issue, 1st Floor, Melbourne, Australia
1997
World Speak Dumb, curated by Geoff Lowe & Sarah Ritson,Karyn Lovegrove Gallery, Melbourne, Australia
Eurovision, curated by Dominic Eichler & Esther Pireni , 205 Russel St, Melbourne, Australia
Klick, curated by Kate Daw, 1st floor, Melbourne, Australia
Mars Field, curated by Alex Pittendrigh, 1st Floor, Melbourne, Australia
1996
See Through Brain, Transmission Gallery, Glasgow, Scotland
Klick, Transmission Gallery, curated by Kate Daw, Glasgow, Scotland
Mrs Birds House, collaboration with Jennifer Higgie, Melbourne, Australia
Photography is dead! long live photography!, Museum of Contemporary Art, Sydney, Australia
BE ER MONSTA, artists videos touring Glasgow, London, Belfast & Dublin
The Modern Star Series, Video Installation, Ong Food Court, Next Wave Festival, Melbourne, Australia
1995
Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney, Australia
David Noonan, Michael Goldsmith, & June Savage, 1st Floor, Melbourne , Australia
1994
Projection: Filming the Body, Basement Project, Melbourne, Australia
Loop, A Critical Cities Project, Longford Cinema, Melbourne, Australia
Project For Two Billboards: David Noonan and Elizabeth Pulie, Next Wave Festival, Melbourne, Australia
Deception: Melinda Harper, David Noonan & Philip Watkins, 200 Gertrude Street, Melbourne, Australia
1993
Pure Cinema, Charles Williams Gallery, Department of Architecture, RMIT, Melbourne, Australia
Australian Perspecta 1993, Art Gallery of New South Wales, Sydney, Australia
Part Two, Margaret Stewart Endowment, National Gallery of Victoria, Melbourne, Australia
Disparities, Post Graduate Masters Exhibition (VCA), Ian Potter Gallery, Melbourne, Australia
1992
Sites of the Imagination: Contemporary Photographers View Melbourne and Its People, National Gallery of Victoria, Melbourne, Australia
1991
David Noonan and Simone Broekman, 41 Gold Street, Melbourne, Australia
National Graduate Exhibition (VCA), Institute of Contemporary Art, Perth, Australia
ARTIST WRITINGS / ARTIST PAGES
2007
Pagent, Foxy Production: New York, NY, 2007
The Rings of Saturn, Tate Modern, London, England
A Constructed World, Gallery Side 2, Tokyo, Japan
Write On/Write Off, Chapman Fine Arts, London, England
Art Rock, Rockefeller Center, New York, NY.
25 Bold Moves, curated by Simon Watson and Craig Hensala of Scenic, House of Campari, New York, NY.
The General Store, Ulrich Museum of Art, Wichita State University, Wichita, KS.
Frank Hannon, Jacob Dahl Jürgensen and David Noonan, Foxy Production, New York, NY.
2005
Videobrasil International Electronic Art Festival, Sao Paulo, Brazil
A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, Melbourne, Australia
Slow Rushes, Artspace, Auckland, New Zealand
What are you showing here for? (the unlikely connexion), Trocadero Art Space, Melbourne, Australia
The Four Color Pen Show, Van Harrison Gallery, Chicago, IL.
The Difference between you and me, The Ian Potter Museum of Art, Melbourne, Australia
If These Walls Could Talk, Roslyn Oxley9 Gallery, Sydney, Australia
Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, FL.
2004
I feel mysterious today, curated by Dominic Molon, PBICA, Palm Beach, FL.
Supernatural Artificial, curated by Natalie King , Museum of Contemporary Photography, Tokyo, Japan
Instinct, curated by Liza Vasilou, Monash University Museum of Contemporary Art, Melbourne, Australia
The Infinite Fill Show, Foxy Production, New York, NY.
Glad Day, Foxy Production, New York, NY.
Southern, Home Gallery, Prague, The Czech Republic
PROJEKT#6, archive of Australian Video art, Kings, Melbourne, Australia
Freize art fair, with Uplands Gallery, London, England
Zoo art fair, with Hotel Gallery, London, England
NADA art fair, with Foxy Production, Miami, FL.
the moon will save our ass, pure screen 5, Castlefield gallery, Manchester, England
momenta, momenta gallery, New York, NY.
Infinite Fill, Foxy Production, New York, NY.
2003
Blinky 2: The Screening, Tate Britain, London, England
We love to kill what we love, 211 St. Johns Street, Clerkenwell, London, England
Out Takes, Kings, Melbourne, Australia
PROJEKT#6, archive of Australian Video art , Kings, Melbourne, Australia
Spaced Out, Australian Centre for Photography, Sydney, Australia
Rough Topography, Vedanta Gallery, Chicago, IL.
Art + Film, Centre for Contemporary Photography, Melbourne, Australia
Wallpaper, Australian Galleries, Works on Paper, Melbourne, Australia
2002
Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand
200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain
The Team Show, Uplands Gallery, Melbourne, Australia
May it return in spades, Bart Wells Institute, London, England
Resident, Foxy Production, New York , NY.
Listening to New Voices, PS1 Museum of Contemporary Art, New York, NY.
Peculiarly Pink, Luxe, New York, NY.
2001
Scenes, curated by Jeffrey Walkowiak, Henry Urbach architecture, New York, NY.
The Team Show: A Constructed World, Uplands Gallery, Melbourne, Australia
Egofugal, 7th Istanbul Biennale, Istanbul, Turkey
Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan
the likening, Studio 12, 200 Gertrude Street, Melbourne, Australia
Twenty, Oh One, video screening, The DCA, Dundee, Tramway, Glasgow, Scotland
low-down, Monash University Gallery, Melbourne, Australia
2000
Sporting Life, Museum of Contemporary Art, Sydney, Australia
Show View, Galerie 520, Salzberg, Austria
200 Gertrude St Studio Artists 2000, 200 Gertrude St, Melbourne, Australia
Paintings are Ace, curated by Clair Firth Smith, Linden Gallery, Melbourne, Australia
Garson Garson, Project Space, Melbourne, Australia
Nostalgia for the Apocalypse, PB Gallery, Melbourne, Australia
Passing Time, Moët & Chandon Commission, curated by Victoria Lynn, Art Gallery of New South Wales, Australia
Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand
Hard Candy, 42 Westbourne Gardens, London, England
1999
Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney, Australia
Blockbuster 99, curated by Ricky Swallow, UKS Gallery, Oslo, Norway
Museum Magogo, Glasgow Art Space, Glasgow, Scotland
Deacons Graham & James Award, Ian Potter Museum of Art, Melbourne, Australia
Signs of Life, Melbourne International Biennial, Australia
Exhumed II, curated by David Noonan, Canberra Contemporary Art Space, Braddon, Australia
Nearest Habitat System, curated by Eliza Huttchison, 1st floor, Melbourne, Australia
SPACE, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands
Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, Australia, NGA, Canberra, Australia
Where the wild roses grow, Transmission Gallery, Glasgow, Scotland
Walkmen, Ricky Swallow, David Jolly & David Noonan, Synasesthesia Music, Melbourne, Australia
1998
rubik#3, video verses watercolour, Wellington St, Melbourne, Australia
Slipstream, (video program), Centre for Contemporary Arts, Glasgow, Scotland
Be Seeing You..., one night of video by artists, Mori Gallery, Sydney, Australia
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne, Australia
Exhumed, Project Space, curated by David Noonan, RMIT, Melbourne, Australia
One hour photo, 1st floor, Melbourne , Australia
@, curated by Kate Shaw, 200 Gertrude St, Melbourne, Australia
Moët & Chandon Touring, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia
Work station, 1st Floor, Melbourne, Australia
xl[ent] Di? No! Might*, curated by Johny Gunshanan & Kevin Francis Gray, Palace Studios, Dublin, Ireland
Special issue, 1st Floor, Melbourne, Australia
1997
World Speak Dumb, curated by Geoff Lowe & Sarah Ritson,Karyn Lovegrove Gallery, Melbourne, Australia
Eurovision, curated by Dominic Eichler & Esther Pireni , 205 Russel St, Melbourne, Australia
Klick, curated by Kate Daw, 1st floor, Melbourne, Australia
Mars Field, curated by Alex Pittendrigh, 1st Floor, Melbourne, Australia
1996
See Through Brain, Transmission Gallery, Glasgow, Scotland
Klick, Transmission Gallery, curated by Kate Daw, Glasgow, Scotland
Mrs Birds House, collaboration with Jennifer Higgie, Melbourne, Australia
Photography is dead! long live photography!, Museum of Contemporary Art, Sydney, Australia
BE ER MONSTA, artists videos touring Glasgow, London, Belfast & Dublin
The Modern Star Series, Video Installation, Ong Food Court, Next Wave Festival, Melbourne, Australia
1995
Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney, Australia
David Noonan, Michael Goldsmith, & June Savage, 1st Floor, Melbourne , Australia
1994
Projection: Filming the Body, Basement Project, Melbourne, Australia
Loop, A Critical Cities Project, Longford Cinema, Melbourne, Australia
Project For Two Billboards: David Noonan and Elizabeth Pulie, Next Wave Festival, Melbourne, Australia
Deception: Melinda Harper, David Noonan & Philip Watkins, 200 Gertrude Street, Melbourne, Australia
1993
Pure Cinema, Charles Williams Gallery, Department of Architecture, RMIT, Melbourne, Australia
Australian Perspecta 1993, Art Gallery of New South Wales, Sydney, Australia
Part Two, Margaret Stewart Endowment, National Gallery of Victoria, Melbourne, Australia
Disparities, Post Graduate Masters Exhibition (VCA), Ian Potter Gallery, Melbourne, Australia
1992
Sites of the Imagination: Contemporary Photographers View Melbourne and Its People, National Gallery of Victoria, Melbourne, Australia
1991
David Noonan and Simone Broekman, 41 Gold Street, Melbourne, Australia
National Graduate Exhibition (VCA), Institute of Contemporary Art, Perth, Australia
ARTIST WRITINGS / ARTIST PAGES
2007
Pagent, Foxy Production: New York, NY, 2007
“Portfolio by David Noonan,” Palais/Magazine, 02, Spring 2007, pp. 57 -72
2006
“Life in Film: David Noonan”, Frieze, October 2006, p. 42 – 43
1999
"from #1", journal published by Witte de With Museum of Contemporary Art, Rotterdam, The Netherlands, 1999, pp.27-28
1998
rubik #3, two artist pages, 1998
1997
Broadsheet, front cover, vol.26, no 3, Spring 1997
1996
"Work, Interview with Kate Daw", published by William Mora Gallery, Melbourne, Australia, 1996
"David Noonan & Eliza Hutchison", Art Fan, Autumn 1996, p.21
1995-96
"Andrew McQualter", catalogue essay, 1st Floor, Melbourne, Australia, 1995; re-published in 1st Floor A495, pp.26-27, 1996
SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)
2008
Claire Armstrong, `David Noonan,' Art World, Issue 2, April/May 2008, pp. 74-79
`The Artist: David Noonan,' Bazaar insider, Harpers Bazaar Australia, March 2008, p. 200
Ascari, Alessio, “David Noonan,” Mousse, issue 13, March 2008, pp. 14 – 17
Davies, Lillian, “David Noonan: Critic's Pick," artforum.com, February 2008
2007
2007
Soubaigne, Isabelle, "David Noonan," paris-art.com, April 24, 2007
Day, Charlotte, “Rings of Saturn Tate Modern,” Art & Australia, Vol. 44, No. 3, Autumn 2007, p. 448
“David Noonan”, Artkrush, Issue #57, 2 May 2007
Gronlund, Melissa, "Future Greats: David Noonan," Art Review, March 2007, pp. 78 - 79, 95
“David Noonan”, Artkrush, Issue #57, 2 May 2007
Gronlund, Melissa, "Future Greats: David Noonan," Art Review, March 2007, pp. 78 - 79, 95
Bracewell, Michael, "Remove Celebrity Centre," The Wire, March 2007, p. 54
*Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007
Berardini, Andrew, “David Noonan,” artUS, issue 16 January - February 2007, p. 19
2006
2006
Taft, Catherine, "David Noonan", Modern Painters, December 2006 - January 2007, pp. 117
Myers, Julian. "David Noonan", Frieze, November 2006, pp. 166
Duncan, Michael, "Critic's Diary Opening Salvos in L.A." Art in America, November 2006, pp. 78
Stewart, Christabel, "His Dark Materials," Tank, Volume 4, Issue 7, 2006, pp. 24 - 25
Adam, Georgina, Marc Spiegler, Ossian Ward and Gareth Harris, “More Collectors then Ever Before First Night Report on Frieze,” The Art Newspaper, 12 October 2006, international edition. 1+
2005
Laster, Paul, "A Beautiful Horror," Art Asia Pacific, Winter 2005, No. 43, pp 50 - 57.
Fahey, Johannah, "Before and Now: The Work of David Noonan," eyeline (contemporary visual arts), Spring 2005, No. 58, pp 42 - 44
*Fahey, Johannah, David Noonan: Before and Now, Thames and Hudson: London, England, 2005
Crawford, Ashley, The Age, June 4, 2005
* Higgie, Jennifer, and Max Delaney, David Noonan: Films and Paintings 2001-2005, MUMA: Melbourne, Australia
Australian Art Collector, No. 31, Jan-March 2005
Laster, Paul, "David Noonan", Art Asia Pacific, Winter 2005
2004
Workman, Michael, "David Noonan", Flash Art, no.239, November-December 2004, p.119
Workman, Michael, "David Noonan", New City: Chicago House of Style, Sept 2, 2004, p.55
*Molon, Dominic, "they became what they beheld", PBICA, Palm Beach, FL., 2004
Kerr, Merrily, "The Infinite Fill Show", Time Out New York, August 12-19, 2004, p.56
2003
Hall, Karen, "Art+Film", Photofile, #70, Summer 2003-2004, pp.32-35
Strahan, Lucinda, "Glam art", The Age, August 7, 2003, p.10 (A3)
Korotkin, Joyce B., "David Noonan - Foxy Production", Tema Celeste, July 2003, p.80
Pollack, Maika, "David Noonan: Foxy Production", Flash Art, vol.36, no.230, May/June 2003, p.91
Low, Lenny Ann, "Animal Magnetism (`SOWA Artspace' review)", Sydney Morning Herald (Metropolitan), May 24-25, 2003, p.12
*Higgie, Jennifer, "David Noonan: Head-On 1997, Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002", CACSA, Adelaide, Australia, 2003, pp.137, 138
Crawford, Ashley, "Melbourne Gothic", Australian Art Collector, No. 24, April-June 2003, pp.86-89
Hill, Peter, "Spaced Out", Photofile, #68, April, 2003, p.75
Laster, Paul, "David Noonan, SOWA", TimeOUT New York, April 2003
*Clabburn, Anna, "Wallpaper", Australian Galleries, Works on Paper, Melbourne, Australia, 2003
King, Natalie, "Art round up: Melbourne", Art Monthly Australia, no.157, March, 2003, pp.14-16
http://www.vceart.com/artists/noonan/index.html
2002
Garrett, Craig, "Resident at Foxy Production", Flash Art, October 2002
McPhee, John, "City Life: De Sydney à Melbourne", Paris Photo Magazine International, no.22, September/October 2002, pp.124-131
Honigman, Ana Finel, "Resident", Time Out, August 15-22, 2002, p.45
*"Listening to New Voices, 2001-2002, National and International Studio Program catalogue", PS.1, The Institute for Contemporary Art, New York, NY., 2002, pp.70-74,
*"Screen Life", Stuart Koop & Max Delany, 2002
2001
King, Natalie, "David Noonan, A Space Odyssey", Art & Australia, vol.38, no.3, 2001, pp.434-441
*"egofugal," 7th International Istanbul Biennial exhibition catalog, pp.140-141, 2001
*"egofugal, 7th International Istanbul Biennial exhibition catalog", Tokyo Opera City Gallery, Tokyo, Japan, 2001, pp.88-98
Vasiliou, Liza, "The likening", Eyeline, no.46, spring 2001, p.39
2000
Chapman, Christopher, "I'm Sorry, Dave...", Frieze, no.55, November/December 2000
*Shalbot, Brigit, "100 mph", ACCA, 2000
Mcaloon, William, "At the Wheel", Listeneer, March 25, 2000, New Zealand
Dunn, Megan, "Auto Art", PAVEMENT, March 2000
*"Exhumed & Exhumed II", Canberra Contemporary Art Space, 2000
Fenner, Felicity, "Report From Australia - New Life in Melbourne," Art in America, no.1, January 2000, pp.74-75
*Savage, Julian & Daniel Palmer, "good thinking", 1st Floor, 2000
Hill, Peter, "Passing Time - Moët and Chandon", Photofile, no.59, 2000
Travis, Lara, "Is this love or just a casual relationship - recent projects by David Noonan," LIKE art magazine, no.11, Autumn 2000, pp.12-15
*Burk, Greg, "Drive>power>progress>desire", Govett Brewster Art Gallery, New Zealand, 2000
Lynn, Victoria , "Passing Time", Art Gallery of New South Wales, 2000
*"Melbourne-Glasgow-Edinburgh cultural exchange project", 2000
*"Sporting Life", Museum of Contemporary Art, Sydney, Australia, 2000
1999
*Kent, Rachel, "Future Imperfect, Primavera 99", Museum of Contemporary Art, Sydney, Australia, 1999
Stewart, Susan, "Art and the Experience of Time", LIKE Art Magazine, no.9, winter 1999, p.8
*Tutton, Sarah, "How I Learned to Stop Worrying and Love the Bomb: A Conspiracy", 1999
"Theory", LIKE Art Magazine, no.9, Winter 1999, p.36
*Kent, Rachel, "Deacons Graham & James Arts 21 award", 1999
Shadbolt, Brigid, "A Surfeit of Signs",i, 1999
*"nine commentaries on the 1999 Melbourne International Biennial", 1999 Melbourne International Biennial, 1999, pp.20-24
Chapman, Christopher, ibid, pp.24-27
Travis, Lara, ibid, pp.27-30
O'Halloran, David, "The Melbourne International Biennial: The Price of Tinkering", Broadsheet, vol.28, no.3, Spring 1999, p.6
*Enberg, Juliana, "Signs of Life", Melbourne International Biennial, p.106
1998
Kent, Rachel, "Rubik#3", art/text, no.65, May-July 1998, p.98
Palmer, Daniel, "Walkmen", Frieze, no.46, May 1998, p.86
Bird, Nicky, "Where the Wild Roses Grow", Art Monthly UK, no.225, April 1998, pp.38- 39
Palmer, Daniel, "@", Eyeline, no.37, Spring 1998, pp.37-38
*"Habitat, Stuart Koop & Charlotte Day, morning star evening star, Melbourne-Scotland cultural exchange", ACCA, CCP, Gertrude St, 1998, pp.25-41
O'Connell, Stephen, "David Noonan: Metaphysical body suits", art/text, no.62, August-October 1998, pp.73-77
Hennessy, Deborah, Brian J, Esther Lowe, Eliza Hutchison, "David Noonan head-on", Artfan 7 Rock On, Autumn 1998, p.15
Spunner, Suzanne, "Dumped by the Next Wave and still standing", Art Monthly, no.111, July 1998, pp.7-9
Rooney, Robert, "Shock of the new heightened by delve into the past", The Australian, May 22, 1998, p.18
*Shaw, Kate, "@", 200 Gertrude St, 1998, p.1
*Heald, Marshall, "@", 200 Gertrude St, 1998, p.5
*Higgie, Jennifer, "@", 200 Gertrude St, 1998, pp.7,8
McKenzie, Robyn, "Being and time: the new existentialism," Beaux Arts magazine, Paris, France, April, May, June, 1998
*"Work station",1st Floor , 1998
1997
Huppatz, Danny, "The Art of Speed", Mesh altered states, The journal of Experimenta Media Arts, no.11, 1997, pp.97-100
Colman, Felicity, "head-on", LIKE, art magazine, no.4, 1997, pp.47-48
Harris, Joanne, "Twin challenge for the senses", The Advertiser, September 2, 1997
Koop, Stuart, "World Speak Dumb", Art & Text, no.58, 1997
Travis, Lara, "World Speak Dumb", LIKE, art magazine, no.3, 1997, pp.60-62
McKenzie, Robyn, "Time waits in the wings to go nowhere fast", The Age, July 15, 1997
* Higgie, Jennifer, "head-on", the Contemporary Art Centre of South Australia, 1997
Hennessy, Deborah, "Art lover's lost highway", Broadsheet, vol.26, no.2, 1997, pp 6&7
Beagles, John, "Under the central belt", Variant (U.K), vol.2, no.2, Spring 1997, p.13
*"World Speak Dumb", Karyn Lovegrove Gallery, Melbourne, Australia, 1997, p.7
1996
Welsh, Paul, "See Through Brain", The Scotsman, Glasgow, Scotland, 1996
Edgar, Ray, "Mrs Birds House", World Art, Winter 1996, p.92
McDonald, John, "Pictures of Banality", Sydney Morning Herald, August 31, 1996
*Michael, Linda, "Photography is dead long live photography", Museum of Contemporary Art, 1996, pp.7,12
King, Natalie, "The Building 40 Project", Art & Australia, vol.23, no.4, 1996, pp.575-576
*Hutchison, Eliza, "Modern Star Series", Next Wave Festival, Melbourne, Australia, 1996
1995
*"Perspectives, publication documenting the history and development of 200 Gertrude Street, Melbourne", 200 Gertrude Street, November 1995
Sierra-Hughes, Marie, "Game to tackle sports", Herald Sun, Melbourne, Australia, September 1995
*"D.J Huppatz, David Noonan", Karyn Lovegrove Gallery, August 1995
*"Bill Board Project: White Cube Black Hole", 1995
*"Alisa de Torres, Lindy Lee & David Noonan", Art Gallery of New South Wales, Sydney, Australia, June 1995
*"Danny Huppatz, David Noonan", 1st Floor, June, 1995
1994
Chapman, Christopher, "Next Wave Festival", Photofile, Sydney, Australia, Winter 1994
Van Schaik, Leon, "David Noonan: Pool", Agenda, Melbourne, Australia, no.35, March, 1994, p.12
Geczy, Adam, "Australian Perspecta 1993", Agenda, Melbourne, Australia, no.35, March 1994, pp.35-36
*Holiday, Philip, "Deception: Melinda Harper, David Noonan and Philip Watkins", 200 Gertrude Street, Melbourne, Australia, March 1994
1993
*Drummond, Rozalind, "Pool", Karyn Lovegrove Gallery, November 1993
*Hennessy, Deborah, "David Noonan, Australian Perspecta 1993", Art Gallery of New South Wales, 1993, pp.66-67
*Green, Charles, "Fiction and Treachery", ibid, pp.X1,13-XVI
*Lynn, Victoria, "Curators Introduction", ibid, pp.IV-IX
Healy, Matt, "Filtered Visions", CT News, no.5, Melbourne, Australia, 1993, pp.12-13
*Morgan, Paul, "Type 1-36", 200 Gertrude Street, Melbourne, Australia, 1993
*Crombie, Isobel, "Sites of the Imagination", National Gallery of Victoria, Melbourne, Australia, 1993
AWARDS / GRANTS / RESIDENCIES
2006
Me.di.um, St. Barthelemy, French West Indies
2004
Three Walls residency program, Chicago, IL.
2003
Art Space residency program, Sydney, Australia
2001-02
PS.1, The Institute for Contemporary Art, New York residency program, Australia Council , NY.
1999
Moët & Chandon, Passing Time Commission
1997
Australia Council project development grant
1991
National Gallery Trustees Award
Adam, Georgina, Marc Spiegler, Ossian Ward and Gareth Harris, “More Collectors then Ever Before First Night Report on Frieze,” The Art Newspaper, 12 October 2006, international edition. 1+
2005
Laster, Paul, "A Beautiful Horror," Art Asia Pacific, Winter 2005, No. 43, pp 50 - 57.
Fahey, Johannah, "Before and Now: The Work of David Noonan," eyeline (contemporary visual arts), Spring 2005, No. 58, pp 42 - 44
*Fahey, Johannah, David Noonan: Before and Now, Thames and Hudson: London, England, 2005
Crawford, Ashley, The Age, June 4, 2005
* Higgie, Jennifer, and Max Delaney, David Noonan: Films and Paintings 2001-2005, MUMA: Melbourne, Australia
Australian Art Collector, No. 31, Jan-March 2005
Laster, Paul, "David Noonan", Art Asia Pacific, Winter 2005
2004
Workman, Michael, "David Noonan", Flash Art, no.239, November-December 2004, p.119
Workman, Michael, "David Noonan", New City: Chicago House of Style, Sept 2, 2004, p.55
*Molon, Dominic, "they became what they beheld", PBICA, Palm Beach, FL., 2004
Kerr, Merrily, "The Infinite Fill Show", Time Out New York, August 12-19, 2004, p.56
2003
Hall, Karen, "Art+Film", Photofile, #70, Summer 2003-2004, pp.32-35
Strahan, Lucinda, "Glam art", The Age, August 7, 2003, p.10 (A3)
Korotkin, Joyce B., "David Noonan - Foxy Production", Tema Celeste, July 2003, p.80
Pollack, Maika, "David Noonan: Foxy Production", Flash Art, vol.36, no.230, May/June 2003, p.91
Low, Lenny Ann, "Animal Magnetism (`SOWA Artspace' review)", Sydney Morning Herald (Metropolitan), May 24-25, 2003, p.12
*Higgie, Jennifer, "David Noonan: Head-On 1997, Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002", CACSA, Adelaide, Australia, 2003, pp.137, 138
Crawford, Ashley, "Melbourne Gothic", Australian Art Collector, No. 24, April-June 2003, pp.86-89
Hill, Peter, "Spaced Out", Photofile, #68, April, 2003, p.75
Laster, Paul, "David Noonan, SOWA", TimeOUT New York, April 2003
*Clabburn, Anna, "Wallpaper", Australian Galleries, Works on Paper, Melbourne, Australia, 2003
King, Natalie, "Art round up: Melbourne", Art Monthly Australia, no.157, March, 2003, pp.14-16
http://www.vceart.com/artists/noonan/index.html
2002
Garrett, Craig, "Resident at Foxy Production", Flash Art, October 2002
McPhee, John, "City Life: De Sydney à Melbourne", Paris Photo Magazine International, no.22, September/October 2002, pp.124-131
Honigman, Ana Finel, "Resident", Time Out, August 15-22, 2002, p.45
*"Listening to New Voices, 2001-2002, National and International Studio Program catalogue", PS.1, The Institute for Contemporary Art, New York, NY., 2002, pp.70-74,
*"Screen Life", Stuart Koop & Max Delany, 2002
2001
King, Natalie, "David Noonan, A Space Odyssey", Art & Australia, vol.38, no.3, 2001, pp.434-441
*"egofugal," 7th International Istanbul Biennial exhibition catalog, pp.140-141, 2001
*"egofugal, 7th International Istanbul Biennial exhibition catalog", Tokyo Opera City Gallery, Tokyo, Japan, 2001, pp.88-98
Vasiliou, Liza, "The likening", Eyeline, no.46, spring 2001, p.39
2000
Chapman, Christopher, "I'm Sorry, Dave...", Frieze, no.55, November/December 2000
*Shalbot, Brigit, "100 mph", ACCA, 2000
Mcaloon, William, "At the Wheel", Listeneer, March 25, 2000, New Zealand
Dunn, Megan, "Auto Art", PAVEMENT, March 2000
*"Exhumed & Exhumed II", Canberra Contemporary Art Space, 2000
Fenner, Felicity, "Report From Australia - New Life in Melbourne," Art in America, no.1, January 2000, pp.74-75
*Savage, Julian & Daniel Palmer, "good thinking", 1st Floor, 2000
Hill, Peter, "Passing Time - Moët and Chandon", Photofile, no.59, 2000
Travis, Lara, "Is this love or just a casual relationship - recent projects by David Noonan," LIKE art magazine, no.11, Autumn 2000, pp.12-15
*Burk, Greg, "Drive>power>progress>desire", Govett Brewster Art Gallery, New Zealand, 2000
Lynn, Victoria , "Passing Time", Art Gallery of New South Wales, 2000
*"Melbourne-Glasgow-Edinburgh cultural exchange project", 2000
*"Sporting Life", Museum of Contemporary Art, Sydney, Australia, 2000
1999
*Kent, Rachel, "Future Imperfect, Primavera 99", Museum of Contemporary Art, Sydney, Australia, 1999
Stewart, Susan, "Art and the Experience of Time", LIKE Art Magazine, no.9, winter 1999, p.8
*Tutton, Sarah, "How I Learned to Stop Worrying and Love the Bomb: A Conspiracy", 1999
"Theory", LIKE Art Magazine, no.9, Winter 1999, p.36
*Kent, Rachel, "Deacons Graham & James Arts 21 award", 1999
Shadbolt, Brigid, "A Surfeit of Signs",i, 1999
*"nine commentaries on the 1999 Melbourne International Biennial", 1999 Melbourne International Biennial, 1999, pp.20-24
Chapman, Christopher, ibid, pp.24-27
Travis, Lara, ibid, pp.27-30
O'Halloran, David, "The Melbourne International Biennial: The Price of Tinkering", Broadsheet, vol.28, no.3, Spring 1999, p.6
*Enberg, Juliana, "Signs of Life", Melbourne International Biennial, p.106
1998
Kent, Rachel, "Rubik#3", art/text, no.65, May-July 1998, p.98
Palmer, Daniel, "Walkmen", Frieze, no.46, May 1998, p.86
Bird, Nicky, "Where the Wild Roses Grow", Art Monthly UK, no.225, April 1998, pp.38- 39
Palmer, Daniel, "@", Eyeline, no.37, Spring 1998, pp.37-38
*"Habitat, Stuart Koop & Charlotte Day, morning star evening star, Melbourne-Scotland cultural exchange", ACCA, CCP, Gertrude St, 1998, pp.25-41
O'Connell, Stephen, "David Noonan: Metaphysical body suits", art/text, no.62, August-October 1998, pp.73-77
Hennessy, Deborah, Brian J, Esther Lowe, Eliza Hutchison, "David Noonan head-on", Artfan 7 Rock On, Autumn 1998, p.15
Spunner, Suzanne, "Dumped by the Next Wave and still standing", Art Monthly, no.111, July 1998, pp.7-9
Rooney, Robert, "Shock of the new heightened by delve into the past", The Australian, May 22, 1998, p.18
*Shaw, Kate, "@", 200 Gertrude St, 1998, p.1
*Heald, Marshall, "@", 200 Gertrude St, 1998, p.5
*Higgie, Jennifer, "@", 200 Gertrude St, 1998, pp.7,8
McKenzie, Robyn, "Being and time: the new existentialism," Beaux Arts magazine, Paris, France, April, May, June, 1998
*"Work station",1st Floor , 1998
1997
Huppatz, Danny, "The Art of Speed", Mesh altered states, The journal of Experimenta Media Arts, no.11, 1997, pp.97-100
Colman, Felicity, "head-on", LIKE, art magazine, no.4, 1997, pp.47-48
Harris, Joanne, "Twin challenge for the senses", The Advertiser, September 2, 1997
Koop, Stuart, "World Speak Dumb", Art & Text, no.58, 1997
Travis, Lara, "World Speak Dumb", LIKE, art magazine, no.3, 1997, pp.60-62
McKenzie, Robyn, "Time waits in the wings to go nowhere fast", The Age, July 15, 1997
* Higgie, Jennifer, "head-on", the Contemporary Art Centre of South Australia, 1997
Hennessy, Deborah, "Art lover's lost highway", Broadsheet, vol.26, no.2, 1997, pp 6&7
Beagles, John, "Under the central belt", Variant (U.K), vol.2, no.2, Spring 1997, p.13
*"World Speak Dumb", Karyn Lovegrove Gallery, Melbourne, Australia, 1997, p.7
1996
Welsh, Paul, "See Through Brain", The Scotsman, Glasgow, Scotland, 1996
Edgar, Ray, "Mrs Birds House", World Art, Winter 1996, p.92
McDonald, John, "Pictures of Banality", Sydney Morning Herald, August 31, 1996
*Michael, Linda, "Photography is dead long live photography", Museum of Contemporary Art, 1996, pp.7,12
King, Natalie, "The Building 40 Project", Art & Australia, vol.23, no.4, 1996, pp.575-576
*Hutchison, Eliza, "Modern Star Series", Next Wave Festival, Melbourne, Australia, 1996
1995
*"Perspectives, publication documenting the history and development of 200 Gertrude Street, Melbourne", 200 Gertrude Street, November 1995
Sierra-Hughes, Marie, "Game to tackle sports", Herald Sun, Melbourne, Australia, September 1995
*"D.J Huppatz, David Noonan", Karyn Lovegrove Gallery, August 1995
*"Bill Board Project: White Cube Black Hole", 1995
*"Alisa de Torres, Lindy Lee & David Noonan", Art Gallery of New South Wales, Sydney, Australia, June 1995
*"Danny Huppatz, David Noonan", 1st Floor, June, 1995
1994
Chapman, Christopher, "Next Wave Festival", Photofile, Sydney, Australia, Winter 1994
Van Schaik, Leon, "David Noonan: Pool", Agenda, Melbourne, Australia, no.35, March, 1994, p.12
Geczy, Adam, "Australian Perspecta 1993", Agenda, Melbourne, Australia, no.35, March 1994, pp.35-36
*Holiday, Philip, "Deception: Melinda Harper, David Noonan and Philip Watkins", 200 Gertrude Street, Melbourne, Australia, March 1994
1993
*Drummond, Rozalind, "Pool", Karyn Lovegrove Gallery, November 1993
*Hennessy, Deborah, "David Noonan, Australian Perspecta 1993", Art Gallery of New South Wales, 1993, pp.66-67
*Green, Charles, "Fiction and Treachery", ibid, pp.X1,13-XVI
*Lynn, Victoria, "Curators Introduction", ibid, pp.IV-IX
Healy, Matt, "Filtered Visions", CT News, no.5, Melbourne, Australia, 1993, pp.12-13
*Morgan, Paul, "Type 1-36", 200 Gertrude Street, Melbourne, Australia, 1993
*Crombie, Isobel, "Sites of the Imagination", National Gallery of Victoria, Melbourne, Australia, 1993
AWARDS / GRANTS / RESIDENCIES
2006
Me.di.um, St. Barthelemy, French West Indies
2004
Three Walls residency program, Chicago, IL.
2003
Art Space residency program, Sydney, Australia
2001-02
PS.1, The Institute for Contemporary Art, New York residency program, Australia Council , NY.
1999
Moët & Chandon, Passing Time Commission
1997
Australia Council project development grant
1991
National Gallery Trustees Award