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The latest issue of The Brooklyn Rail features Tala Madani on its cover, with an in-depth conversation between the artist and Andrew Paul Woolbright around her upcoming exhibition Control X. In the article, Woolbright writes, “Her smoldering humor glows with alluring irreverence, somehow finds comedic use of what Julia Kristeva referred to as the ‘black sun,’ and turns the bottomless depths of melancholy into something that ridicules, unveils, and ultimately destabilizes power.” Read more here.

Ahead of their exhibition at our NY gallery, Maia Cruz Palileo spoke with Brainard Carey on Yale University Radio about their use of archival materials and family oral histories to address themes of displacement and colonization. Listen more here.

Galerie names Maia Cruz Palileo an "Artist to Watch," highlighting their upcoming solo exhibition at our NY gallery and a shift toward dreamlike compositions rooted in family archives, oral history, and immigration. Read more here.

 

The New York Times includes Lauren Halsey’s Metropolitan Museum of Art rooftop commission The Eastside of South Central Los Angeles Hieroglyph Prototype Architecture (I) among "The 25 Sculptures That Define the Modern Age,” selected by a panel of artists and curator including Firelei Báez, Charles Gaines, Adam Pendleton, Arlene Shechet, and Ruba Katrib. Read more here. 

Jenna Gribbon: Entwined, the artist’s first major solo museum exhibition, is currently on view at the Rose Art Museum. In a studio visit with Harper’s Bazaar, Jenna Gribbon spoke with Quinn Moreland about her evolving approach to intimacy and portraiture ahead of the exhibition. Read more here. 

In a recent review of Tom’s Stretch published in Frieze, Logan Lockner writes, “the genuine ambitions of ‘Tom’s Stretch’ become apparent in the breadth and dexterity of its presentation, which balances a pervasive, playful lasciviousness with keen juxtapositions between artists, visual styles and historical periods." Read more here.

An American Beauty: Grateful Dead 1965–1995 is reviewed in The Brooklyn Rail as “an efficient, thoughtful tribute” that ultimately transcends “the atomization and nihilism of America’s past, present, and future.” Read more here.

Ahead of his upcoming solo presentation with David Kordansky Gallery at Frieze Seoul, Chase Hall discusses how fatherhood has reshaped the direction and rhythm of his practice, and the unexpected inspiration he finds in an ancient junkheap on his Upstate New York property. Read more here.

Cultured Magazine highlights Tom's Stretch, a group exhibition currently on view at our LA gallery, exploring Tom of Finland's lasting impact through interviews with nine participating artists on his legacy and the role of erotic art. Read More here.