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Rashid Johnson speaks with the Chicago Tribune about returning to his hometown with a retrospective spanning nearly 30 years of his practice. Following its presentation at the Guggenheim last year, A Poem for Deep Thinkers will open at the Museum of Contemporary Art Chicago on November 7. Read more here.

Ahead of her upcoming solo exhibition at our NY gallery, Jenna Gribbon is interviewed on Yale University Radio, where she discusses in detail her use of projections in the new paintings. Listen more here.

Galerie Magazine visits Adam Pendleton’s Brooklyn studio as he prepares for his upcoming exhibition at the Stedelijk Museum in Amsterdam, where “he will paint the walls black for the first time in the museum’s history.”  Titled Some Wild Kind of Language, the exhibition is on view from October 10 through January 17, 2027. Read more here.

In a New York Times article featuring Tala Madani’s solo exhibition at our LA gallery, Aruna D’Souza writes, “Madani plumbs the lives of her characters, and taboos, with absurd humor and a strange tenderness. The work feels almost existential. And if it grosses you out, well, that’s kind of the point, too.” Read more here.

In an interview with Artnet, Tala Madani discusses the making of her current exhibition Control X at our LA gallery: “I am chill. I am loose. I allow everything to come in, sketch it, I see what ideas are low-hanging fruit and I resist them. I go for something a bit higher, a little bit meatier, a little bit harder to chew.” Read more here.

In a New York Times interview, Adam Pendleton spoke with Nina Siegal about his exhibition Some Wild Kind of Language at Stedelijk Museum Amsterdam, discussing his thoughts on “Black Dada”, his approach to abstraction and his transformation of the museum's space. Read more here.

The latest issue of The Brooklyn Rail features Tala Madani on its cover, with an in-depth conversation between the artist and Andrew Paul Woolbright around her upcoming exhibition Control X. In the article, Woolbright writes, “Her smoldering humor glows with alluring irreverence, somehow finds comedic use of what Julia Kristeva referred to as the ‘black sun,’ and turns the bottomless depths of melancholy into something that ridicules, unveils, and ultimately destabilizes power.” Read more here.

Jenna Gribbon: Entwined, the artist’s first major solo museum exhibition, is currently on view at the Rose Art Museum. In a studio visit with Harper’s Bazaar, Jenna Gribbon spoke with Quinn Moreland about her evolving approach to intimacy and portraiture ahead of the exhibition. Read more here. 

Maia Cruz Palileo spoke with Vogue Philippines about their process, archival research, and their trip to the Philippines that inform their upcoming exhibition The World Tangled in You. Read more here.