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On September 29, Lauren Halsey collaborated with Erykah Badu alongside The Alchemist at The Hollywood Bowl, where Halsey designed the stage set and brought her immersive installation into a live performance. Read more here.

In an interview with Artnet, Tala Madani discusses the making of her current exhibition Control X at our LA gallery: “I am chill. I am loose. I allow everything to come in, sketch it, I see what ideas are low-hanging fruit and I resist them. I go for something a bit higher, a little bit meatier, a little bit harder to chew.” Read more here.

In a New York Times interview, Adam Pendleton spoke with Nina Siegal about his exhibition Some Wild Kind of Language at Stedelijk Museum Amsterdam, discussing his thoughts on “Black Dada”, his approach to abstraction and his transformation of the museum's space. Read more here.

In a New York Times article featuring Tala Madani’s solo exhibition at our LA gallery, Aruna D’Souza writes, “Madani plumbs the lives of her characters, and taboos, with absurd humor and a strange tenderness. The work feels almost existential. And if it grosses you out, well, that’s kind of the point, too.” Read more here.

Keith Sonnier: Inside Light, 1968–1970 is featured in Cultured Magazine’s list of “The 15 Must-See Solo Gallery Shows in Los Angeles This Fall.” Read more here.

“Both an homage to painting’s power to reactivate erased stories and histories and a means of confronting the stark realities of the past,” Maia Cruz Palileo’s The World Tangled in You is included in Observer’s roundup of New York gallery shows to see during Armory Week. Read more here.

Lauren Halsey and Rashid Johnson have been named among TIME’s 100 Most Influential People in Art for 2026. Read more here.

The latest issue of The Brooklyn Rail features Tala Madani on its cover, with an in-depth conversation between the artist and Andrew Paul Woolbright around her upcoming exhibition Control X. In the article, Woolbright writes, “Her smoldering humor glows with alluring irreverence, somehow finds comedic use of what Julia Kristeva referred to as the ‘black sun,’ and turns the bottomless depths of melancholy into something that ridicules, unveils, and ultimately destabilizes power.” Read more here.

Maia Cruz Palileo spoke with Vogue Philippines about their process, archival research, and their trip to the Philippines that inform their upcoming exhibition The World Tangled in You. Read more here.