Los Angeles
Jason Fox
Between the 2, 2025
acrylic, oil, and pencil on canvas
38 1/4 x 34 1/4 x 1 1/8 inches
(97 x 86.8 x 2.9 cm)
framed:
39 1/2 x 35 1/2 x 1 7/8 inches
(100.2 x 90 x 4.8 cm)
Jason Fox
Between the 2, 2025
acrylic, oil, and pencil on canvas
38 1/4 x 34 1/4 x 1 1/8 inches
(97 x 86.8 x 2.9 cm)
framed:
39 1/2 x 35 1/2 x 1 7/8 inches
(100.2 x 90 x 4.8 cm)
Jason Fox
Between the 2, 2025
acrylic, oil, and pencil on canvas
38 1/4 x 34 1/4 x 1 1/8 inches
(97 x 86.8 x 2.9 cm)
framed:
39 1/2 x 35 1/2 x 1 7/8 inches
(100.2 x 90 x 4.8 cm)
Jason Fox
Between the 2, 2025
acrylic, oil, and pencil on canvas
38 1/4 x 34 1/4 x 1 1/8 inches
(97 x 86.8 x 2.9 cm)
framed:
39 1/2 x 35 1/2 x 1 7/8 inches
(100.2 x 90 x 4.8 cm)
Jason Fox
Why Are You Sitting In The Dark?, 2024
acrylic and pencil on canvas
62 x 82 x 1 5/8 inches
(157.3 x 208.1 x 4.1 cm)
framed:
63 1/4 x 83 1/4 x 2 1/2 inches
(160.5 x 211.3 x 6.2 cm)
Jason Fox
Why Are You Sitting In The Dark?, 2024
acrylic and pencil on canvas
62 x 82 x 1 5/8 inches
(157.3 x 208.1 x 4.1 cm)
framed:
63 1/4 x 83 1/4 x 2 1/2 inches
(160.5 x 211.3 x 6.2 cm)
Jason Fox
Why Are You Sitting In The Dark?, 2024
acrylic and pencil on canvas
62 x 82 x 1 5/8 inches
(157.3 x 208.1 x 4.1 cm)
framed:
63 1/4 x 83 1/4 x 2 1/2 inches
(160.5 x 211.3 x 6.2 cm)
Jason Fox
Why Are You Sitting In The Dark?, 2024
acrylic and pencil on canvas
62 x 82 x 1 5/8 inches
(157.3 x 208.1 x 4.1 cm)
framed:
63 1/4 x 83 1/4 x 2 1/2 inches
(160.5 x 211.3 x 6.2 cm)
Jason Fox
Supoorman, 2025
acrylic, oil, and pencil on canvas
30 1/8 x 24 1/8 x 1 1/4 inches
(76.4 x 61.1 x 3.2 cm)
framed:
31 1/4 x 25 1/4 x 1 7/8 inches
(79.4 x 64.1 x 4.8 cm)
Jason Fox
Supoorman, 2025
acrylic, oil, and pencil on canvas
30 1/8 x 24 1/8 x 1 1/4 inches
(76.4 x 61.1 x 3.2 cm)
framed:
31 1/4 x 25 1/4 x 1 7/8 inches
(79.4 x 64.1 x 4.8 cm)
Jason Fox
Supoorman, 2025
acrylic, oil, and pencil on canvas
30 1/8 x 24 1/8 x 1 1/4 inches
(76.4 x 61.1 x 3.2 cm)
framed:
31 1/4 x 25 1/4 x 1 7/8 inches
(79.4 x 64.1 x 4.8 cm)
Jason Fox
Supoorman, 2025
acrylic, oil, and pencil on canvas
30 1/8 x 24 1/8 x 1 1/4 inches
(76.4 x 61.1 x 3.2 cm)
framed:
31 1/4 x 25 1/4 x 1 7/8 inches
(79.4 x 64.1 x 4.8 cm)
Jason Fox
Untitled, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 inches
(139.7 x 139.7 x 2.5 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Untitled, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 inches
(139.7 x 139.7 x 2.5 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Untitled, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 inches
(139.7 x 139.7 x 2.5 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Untitled, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 inches
(139.7 x 139.7 x 2.5 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Light Years, 2023
acrylic, oil, and pencil on canvas
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Light Years, 2023
acrylic, oil, and pencil on canvas
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Light Years, 2023
acrylic, oil, and pencil on canvas
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Light Years, 2023
acrylic, oil, and pencil on canvas
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Tell Them, 2025
acrylic and pencil on canvas
34 x 36 x 1 1/8 inches
(86.4 x 91.4 x 2.7 cm)
framed:
35 1/4 x 37 1/4 x 1 7/8 inches
(89.5 x 94.6 x 4.8 cm)
Jason Fox
Tell Them, 2025
acrylic and pencil on canvas
34 x 36 x 1 1/8 inches
(86.4 x 91.4 x 2.7 cm)
framed:
35 1/4 x 37 1/4 x 1 7/8 inches
(89.5 x 94.6 x 4.8 cm)
Jason Fox
Tell Them, 2025
acrylic and pencil on canvas
34 x 36 x 1 1/8 inches
(86.4 x 91.4 x 2.7 cm)
framed:
35 1/4 x 37 1/4 x 1 7/8 inches
(89.5 x 94.6 x 4.8 cm)
Jason Fox
Tell Them, 2025
acrylic and pencil on canvas
34 x 36 x 1 1/8 inches
(86.4 x 91.4 x 2.7 cm)
framed:
35 1/4 x 37 1/4 x 1 7/8 inches
(89.5 x 94.6 x 4.8 cm)
Jason Fox
C'mon Everybody, 2025
acrylic and pencil on canvas
56 1/8 x 48 x 1 5/8 inches
(142.4 x 121.9 x 4 cm)
framed:
57 3/8 x 49 1/4 x 2 1/2 inches
(145.6 x 125.1 x 6.2 cm)
Jason Fox
C'mon Everybody, 2025
acrylic and pencil on canvas
56 1/8 x 48 x 1 5/8 inches
(142.4 x 121.9 x 4 cm)
framed:
57 3/8 x 49 1/4 x 2 1/2 inches
(145.6 x 125.1 x 6.2 cm)
Jason Fox
C'mon Everybody, 2025
acrylic and pencil on canvas
56 1/8 x 48 x 1 5/8 inches
(142.4 x 121.9 x 4 cm)
framed:
57 3/8 x 49 1/4 x 2 1/2 inches
(145.6 x 125.1 x 6.2 cm)
Jason Fox
C'mon Everybody, 2025
acrylic and pencil on canvas
56 1/8 x 48 x 1 5/8 inches
(142.4 x 121.9 x 4 cm)
framed:
57 3/8 x 49 1/4 x 2 1/2 inches
(145.6 x 125.1 x 6.2 cm)
Jason Fox
Have Gun with Phone, 2025
acrylic, oil, and pencil on canvas
32 1/8 x 24 x 1 1/8 inches
(81.4 x 60.8 x 2.9 cm)
framed:
33 3/8 x 25 1/4 x 1 7/8 inches
(84.6 x 64 x 4.8 cm)
Jason Fox
Have Gun with Phone, 2025
acrylic, oil, and pencil on canvas
32 1/8 x 24 x 1 1/8 inches
(81.4 x 60.8 x 2.9 cm)
framed:
33 3/8 x 25 1/4 x 1 7/8 inches
(84.6 x 64 x 4.8 cm)
Jason Fox
Have Gun with Phone, 2025
acrylic, oil, and pencil on canvas
32 1/8 x 24 x 1 1/8 inches
(81.4 x 60.8 x 2.9 cm)
framed:
33 3/8 x 25 1/4 x 1 7/8 inches
(84.6 x 64 x 4.8 cm)
Jason Fox
Have Gun with Phone, 2025
acrylic, oil, and pencil on canvas
32 1/8 x 24 x 1 1/8 inches
(81.4 x 60.8 x 2.9 cm)
framed:
33 3/8 x 25 1/4 x 1 7/8 inches
(84.6 x 64 x 4.8 cm)
Jason Fox
Sailing, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Sailing, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Sailing, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Sailing, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.9 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Homer Wolf Skull with Sky, 2024
acrylic, oil, and pencil on canvas
38 x 34 x 1 1/8 inches
(96.5 x 86.4 x 2.7 cm)
framed:
39 1/4 x 35 1/4 x 1 7/8 inches
(99.7 x 89.5 x 4.8 cm)
Jason Fox
Homer Wolf Skull with Sky, 2024
acrylic, oil, and pencil on canvas
38 x 34 x 1 1/8 inches
(96.5 x 86.4 x 2.7 cm)
framed:
39 1/4 x 35 1/4 x 1 7/8 inches
(99.7 x 89.5 x 4.8 cm)
Jason Fox
Homer Wolf Skull with Sky, 2024
acrylic, oil, and pencil on canvas
38 x 34 x 1 1/8 inches
(96.5 x 86.4 x 2.7 cm)
framed:
39 1/4 x 35 1/4 x 1 7/8 inches
(99.7 x 89.5 x 4.8 cm)
Jason Fox
Homer Wolf Skull with Sky, 2024
acrylic, oil, and pencil on canvas
38 x 34 x 1 1/8 inches
(96.5 x 86.4 x 2.7 cm)
framed:
39 1/4 x 35 1/4 x 1 7/8 inches
(99.7 x 89.5 x 4.8 cm)
Jason Fox
Demigod, 2024
acrylic, oil, and pencil on canvas
18 x 24 x 5/8 inches
(45.7 x 60.8 x 1.6 cm)
framed:
19 1/4 x 25 1/4 x 1 1/2 inches
(48.9 x 64 x 3.8 cm)
Jason Fox
Demigod, 2024
acrylic, oil, and pencil on canvas
18 x 24 x 5/8 inches
(45.7 x 60.8 x 1.6 cm)
framed:
19 1/4 x 25 1/4 x 1 1/2 inches
(48.9 x 64 x 3.8 cm)
Jason Fox
Demigod, 2024
acrylic, oil, and pencil on canvas
18 x 24 x 5/8 inches
(45.7 x 60.8 x 1.6 cm)
framed:
19 1/4 x 25 1/4 x 1 1/2 inches
(48.9 x 64 x 3.8 cm)
Jason Fox
Demigod, 2024
acrylic, oil, and pencil on canvas
18 x 24 x 5/8 inches
(45.7 x 60.8 x 1.6 cm)
framed:
19 1/4 x 25 1/4 x 1 1/2 inches
(48.9 x 64 x 3.8 cm)
Jason Fox
Afternoon, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.7 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Afternoon, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.7 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Afternoon, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.7 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Afternoon, 2024
acrylic, oil, and pencil on linen
55 x 55 x 1 1/8 inches
(139.7 x 139.7 x 2.7 cm)
framed:
56 1/4 x 56 1/4 x 1 7/8 inches
(142.9 x 142.9 x 4.8 cm)
Jason Fox
Phone with Flesh and Stone Crossing Main Street, 2025
acrylic, oil, and pencil on canvas
90 x 62 x 1 3/8 inches
(228.6 x 157.5 x 3.5 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
Phone with Flesh and Stone Crossing Main Street, 2025
acrylic, oil, and pencil on canvas
90 x 62 x 1 3/8 inches
(228.6 x 157.5 x 3.5 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
Phone with Flesh and Stone Crossing Main Street, 2025
acrylic, oil, and pencil on canvas
90 x 62 x 1 3/8 inches
(228.6 x 157.5 x 3.5 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
Phone with Flesh and Stone Crossing Main Street, 2025
acrylic, oil, and pencil on canvas
90 x 62 x 1 3/8 inches
(228.6 x 157.5 x 3.5 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
After Midnight, 2024
acrylic, oil, and pencil on canvas
90 x 62 x 1 5/8 inches
(228.6 x 157.5 x 4 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
After Midnight, 2024
acrylic, oil, and pencil on canvas
90 x 62 x 1 5/8 inches
(228.6 x 157.5 x 4 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
After Midnight, 2024
acrylic, oil, and pencil on canvas
90 x 62 x 1 5/8 inches
(228.6 x 157.5 x 4 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
After Midnight, 2024
acrylic, oil, and pencil on canvas
90 x 62 x 1 5/8 inches
(228.6 x 157.5 x 4 cm)
framed:
91 1/4 x 63 1/4 x 2 1/2 inches
(231.8 x 160.7 x 6.2 cm)
Jason Fox
Bill, 2023
ink and pencil on paper
15 7/8 x 12 inches
(40.3 x 30.5 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
Bill, 2023
ink and pencil on paper
15 7/8 x 12 inches
(40.3 x 30.5 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
Years, 2024
ink and pencil on paper
15 7/8 x 12 inches
(40.3 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Years, 2024
ink and pencil on paper
15 7/8 x 12 inches
(40.3 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Red Carpet, 2007
ink and pencil on paper
9 x 12 1/8 inches
(22.9 x 30.8 cm)
framed:
13 3/4 x 16 7/8 x 1 1/2 inches
(34.9 x 42.9 x 3.8 cm)
Jason Fox
Red Carpet, 2007
ink and pencil on paper
9 x 12 1/8 inches
(22.9 x 30.8 cm)
framed:
13 3/4 x 16 7/8 x 1 1/2 inches
(34.9 x 42.9 x 3.8 cm)
Jason Fox
Bones, Clothes, Flesh, 2024
ink and pencil on paper
15 1/8 x 11 1/8 inches
(38.4 x 28.3 cm)
framed:
19 3/4 x 15 3/4 x 1 1/2 inches
(50.2 x 40 x 3.8 cm)
Jason Fox
Bones, Clothes, Flesh, 2024
ink and pencil on paper
15 1/8 x 11 1/8 inches
(38.4 x 28.3 cm)
framed:
19 3/4 x 15 3/4 x 1 1/2 inches
(50.2 x 40 x 3.8 cm)
Jason Fox
Main Street, 2024
ink and pencil on paper
21 7/8 x 14 7/8 inches
(55.6 x 37.8 cm)
framed:
26 5/8 x 19 5/8 x 1 1/2 inches
(67.6 x 49.7 x 3.8 cm)
Jason Fox
Main Street, 2024
ink and pencil on paper
21 7/8 x 14 7/8 inches
(55.6 x 37.8 cm)
framed:
26 5/8 x 19 5/8 x 1 1/2 inches
(67.6 x 49.7 x 3.8 cm)
Jason Fox
War Games, 2015
ink and pencil on paper
16 1/8 x 12 1/8 inches
(41 x 30.8 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
War Games, 2015
ink and pencil on paper
16 1/8 x 12 1/8 inches
(41 x 30.8 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
Trying To Be Nice, 2025
ink and pencil on paper
15 x 11 inches
(38.1 x 27.9 cm)
framed:
19 3/4 x 15 3/4 x 1 3/4 inches
(50.2 x 40 x 4.4 cm)
Jason Fox
Trying To Be Nice, 2025
ink and pencil on paper
15 x 11 inches
(38.1 x 27.9 cm)
framed:
19 3/4 x 15 3/4 x 1 3/4 inches
(50.2 x 40 x 4.4 cm)
Jason Fox
Middle Class Poor, 2024
ink and pencil on paper
15 x 12 inches
(38.1 x 30.5 cm)
framed:
19 3/4 x 16 3/4 x 1 3/4 inches
(50 x 42.4 x 4.4 cm)
Jason Fox
Middle Class Poor, 2024
ink and pencil on paper
15 x 12 inches
(38.1 x 30.5 cm)
framed:
19 3/4 x 16 3/4 x 1 3/4 inches
(50 x 42.4 x 4.4 cm)
Jason Fox
Rome Show, 2024
ink and pencil on paper
16 x 12 inches
(40.6 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Rome Show, 2024
ink and pencil on paper
16 x 12 inches
(40.6 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Glowing Green, 2017
ink and pencil on paper
16 x 12 1/8 inches
(40.6 x 30.8 cm)
framed:
20 3/4 x 16 7/8 x 1 3/4 inches
(52.7 x 42.9 x 4.4 cm)
Jason Fox
Glowing Green, 2017
ink and pencil on paper
16 x 12 1/8 inches
(40.6 x 30.8 cm)
framed:
20 3/4 x 16 7/8 x 1 3/4 inches
(52.7 x 42.9 x 4.4 cm)
Jason Fox
West of Wonder, 2023
ink and pencil on paper
16 x 12 1/8 inches
(40.6 x 30.8 cm)
framed:
20 3/4 x 16 7/8 x 1 3/4 inches
(52.7 x 42.9 x 4.4 cm)
Jason Fox
West of Wonder, 2023
ink and pencil on paper
16 x 12 1/8 inches
(40.6 x 30.8 cm)
framed:
20 3/4 x 16 7/8 x 1 3/4 inches
(52.7 x 42.9 x 4.4 cm)
Jason Fox
Monsters in Love, 2023
ink and pencil on paper
16 x 12 inches
(40.6 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Monsters in Love, 2023
ink and pencil on paper
16 x 12 inches
(40.6 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Jason Fox
Painter, Singer, Songwriter, 2024
ink and pencil on paper
14 7/8 x 14 7/8 inches
(37.8 x 37.8 cm)
framed:
19 5/8 x 19 5/8 x 1 1/2 inches
(49.8 x 49.8 x 3.8 cm)
Jason Fox
Painter, Singer, Songwriter, 2024
ink and pencil on paper
14 7/8 x 14 7/8 inches
(37.8 x 37.8 cm)
framed:
19 5/8 x 19 5/8 x 1 1/2 inches
(49.8 x 49.8 x 3.8 cm)
Jason Fox
Ringo and George on the moon, 2012
ink and pencil on paper
20 x 14 7/8 inches
(50.8 x 37.8 cm)
framed:
24 1/8 x 28 7/8 x 1 1/2 inches
(61.2 x 73.3 x 3.8 cm)
Jason Fox
Ringo and George on the moon, 2012
ink and pencil on paper
20 x 14 7/8 inches
(50.8 x 37.8 cm)
framed:
24 1/8 x 28 7/8 x 1 1/2 inches
(61.2 x 73.3 x 3.8 cm)
Jason Fox
SGT Pepper II, 2010
ink and pencil on paper
16 1/8 x 12 1/8 inches
(41 x 30.8 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
SGT Pepper II, 2010
ink and pencil on paper
16 1/8 x 12 1/8 inches
(41 x 30.8 cm)
framed:
20 3/4 x 16 3/4 x 1 1/2 inches
(52.5 x 42.4 x 3.8 cm)
Jason Fox
Flag on the Moon, 2010
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Flag on the Moon, 2010
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
My Son is a great Painter, 2024
ink and pencil on paper
29 7/8 x 21 7/8 inches
(75.9 x 55.6 cm)
framed:
34 5/8 x 26 3/4 x 1 1/2 inches
(87.8 x 67.9 x 3.8 cm)
Jason Fox
My Son is a great Painter, 2024
ink and pencil on paper
29 7/8 x 21 7/8 inches
(75.9 x 55.6 cm)
framed:
34 5/8 x 26 3/4 x 1 1/2 inches
(87.8 x 67.9 x 3.8 cm)
Jason Fox
My Son is a great Painter, 2024
ink and pencil on paper
29 7/8 x 21 7/8 inches
(75.9 x 55.6 cm)
framed:
34 5/8 x 26 3/4 x 1 1/2 inches
(87.8 x 67.9 x 3.8 cm)
Jason Fox
My Son is a great Painter, 2024
ink and pencil on paper
29 7/8 x 21 7/8 inches
(75.9 x 55.6 cm)
framed:
34 5/8 x 26 3/4 x 1 1/2 inches
(87.8 x 67.9 x 3.8 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Willie, 2022
wood, stain, and bandana with synthetic hair
66 x 25 1/2 x 7 1/4 inches
(167.6 x 64.8 x 18.4 cm)
Jason Fox
Edge of 57 II, 2021
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Edge of 57 II, 2021
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Something to do, 2021
ink and pencil on paper
14 1/8 x 10 1/8 inches
(35.9 x 25.7 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Something to do, 2021
ink and pencil on paper
14 1/8 x 10 1/8 inches
(35.9 x 25.7 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Feeling Alright, 2021
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
Jason Fox
Feeling Alright, 2021
ink and pencil on paper
14 1/8 x 10 1/4 inches
(35.9 x 26 cm)
framed:
18 7/8 x 14 7/8 x 1 1/2 inches
(47.8 x 37.8 x 3.8 cm)
David Kordansky Gallery is pleased to announce Why Are You Sitting In The Dark, an exhibition of paintings, drawings, and a sculpture by Jason Fox. The exhibition will be on view in Los Angeles at 5130 W. Edgewood Pl., from May 16 through June 28, 2025. An opening reception will be held on Friday, May 16 from 6 to 8 PM.
Fox makes paintings that are, first and foremost, about painting but inevitably end up being about everything else. The style he has developed over four decades is responsive to many levels of cultural production, indulging in disparate interests such as modernism, minimalism, comic books, and popular music. No two paintings are alike, even or especially those produced as entries in an immediately recognizable series. Joni Mitchell, Alberto Giacometti, a bemused dragon, a melancholic dog, and various skeletons or other "frightening" figures are among the recurring cast of characters who lend their forms to Fox's inventive, intuitively elaborated process. The artist continually eludes expectations and gently demands that viewers consider each iteration of his obsessions anew, not just because they are his, but because the avenues he takes to realize his images are the same avenues any of us take when we try to figure out what matters, what moves, and what amazes.
Why Are You Sitting In The Dark is all about the intimacy of this demand. Because it includes paintings of various sizes, the exhibition evokes the emotionally close environs of the salons in which the early modernists showed, debated about, and came to understand their work. Like the early paintings of these important predecessors, Fox's avant-gardism is not reliant on the spectacle-based effects or serialized predictability that have come to infuse much contemporary art. It is, rather, focused on what it means to take chances, painting by painting and even brushstroke by brushstroke. By remaining off-kilter, the paintings leave open the possibility of some future-oriented, organically rendered harmony. These are pictures of the intersections between hope and despair. They arise out of a hard-won faith in formalism, as well as sanguine acceptance of the fact that formalism on its own is never enough.
To this end, Fox has made a kind of aesthetic science out of the convergence of forms, colors, gestures, and moods. In the eponymous painting that gives the show its title, images of Joni Mitchell, a Goya-inspired goat, and a disaffected gargoyle hover on, in, and through each other, occupying one another's hearts and minds in visual as well as narrative terms. Any attempt to tease them apart results in awareness of their inseparability, just as the desire to untangle the closely linked denizens in the depths of our beings often leaves us pondering places where distinctions between creativity and destruction, for instance, fall away. The work's background is a modulated field of darkly luminous tones that appears to breathe along with its more readily identifiable subjects. The artist’s longstanding interest in monochromatic color is a reminder that, on sculptural terms, there is never truly a "background" or "foreground." In painting, the action always takes place on the surface.
In some cases, as in a saturated red painting of Bob Marley crossed with a dog, surface is synonymous with the bold graphic image inscribed on it. Each body part—eyes, hand, nose—stands out in discrete definition, until the realization sets in that the depiction is not as clear as it first seems. What is Marley's and what is the dog's become questions instead of facts. The blurring of features in The Golden Man (2025), meanwhile, is of the expressionistic variety, with Fox relishing in the moment-to-moment back-and forth that builds textural bridges between the busts of Tom Petty and Giacometti that are the work's ostensible subjects. The two men become a pile of sensitive, curious, amber-hued attempts to find what unites them. They share a knowing gaze that itself speaks to the complexity of the states the artist conjures, as well as a frankness—of intention, of materiality—that is often obscured in the world at large.
While directness characterizes the entirety of Fox's project, the sculpture and works on paper on view emphasize the lack of pretense in his approach to his materials as well as the range of his research and references. The sculpture Willie (2022) is a wood cross adorned with a bandana and two lengths of synthetic hair. Its resemblance to country music icon Willie Nelson feels both highly determined (it also matches the musician's height) and completely accidental, as the visual and tactile qualities of its constituent parts quickly override the obvious associations they generate. Fox balances Dadaist humor against the weight and gravitas of totemic form. And in the works on paper that round out the exhibition, Fox makes plain how he moves from one idea to another, making complete statements even out of fragmented attempts to understand—and once again forget—the driving forces behind his work. The works on paper allow viewers to fully appreciate the role played by the unknown in Fox's ongoing evolution and how breaking down what has come before is an essential phase in the process of making new things.
Jason Fox (b. 1964, Yonkers, New York) has been the subject of solo exhibitions at David Kordansky Gallery, New York (2023); CANADA, New York (2021); and Almine Rech Gallery, Brussels (2018). Recent group exhibitions include Blossom: The Tenth Anniversary of the Long Museum, Long Museum, Shanghai (2024); The Drawing Centre Show, Le Consortium, Dijon, France (2022); Artists for New York, Hauser & Wirth, New York (2020); Samaritans, Galerie Eva Presenhuber, New York (2019); and Animal Farm, Brant Foundation Art Study Center, Greenwich, Connecticut (2017). His work is in the permanent collections of institutions including the Aïshti Foundation, Beirut; Colby College Museum of Art, Waterville, Maine; and Hall Art Foundation, Reading, Vermont. Fox lives and works in Poughkeepsie, New York.
