Los Angeles
Tom of Finland
Tom's Men, 1970
graphite on paper
19 x 34 inches
(48.3 x 86.4 cm)
framed:
41 3/4 x 26 1/8 x 1 3/4 inches
(106 x 66.4 x 4.4 cm)
Tom of Finland
Untitled (Preparatory Drawing), 1944
graphite on paper
11 1/4 x 8 1/4 inches
(28.6 x 21 cm)
framed:
16 7/8 x 13 7/8 x 1 1/2 inches
(42.9 x 35.2 x 3.8 cm)
Tom of Finland
Untitled (Preparatory Drawing), 1944
graphite on paper
11 3/4 x 8 1/4 inches
(29.8 x 21 cm)
framed:
17 3/8 x 13 7/8 x 1 1/2 inches
(44.1 x 35.2 x 3.8 cm)
Tom of Finland
Untitled, 1946
gouache on paper
11 1/4 x 8 1/4 inches
(28.7 x 20.8 cm)
framed:
16 3/4 x 13 3/4 x 1 3/4 inches
(42.5 x 34.9 x 4.4 cm)
Tom of Finland
Untitled (Preparatory Drawing), 1944
graphite on paper
11 1/4 x 8 1/4 inches
(28.7 x 21 cm)
framed:
17 x 13 3/4 x 1 1/2 inches
(43.2 x 34.9 x 3.8 cm)
Tom of Finland
Untitled (Preparatory Drawing), 1944
graphite on paper
11 3/4 x 8 1/8 inches
(29.8 x 20.6 cm)
framed:
17 1/4 x 13 3/4 x 1 1/2 inches
(43.8 x 34.9 x 3.8 cm)
Jared Buckhiester
exhaustion of the content by the form, 2015
ink etching and watercolor monotype with chine collé
19 5/8 x 15 1/8 inches
(49.8 x 38.4 cm)
framed:
20 5/8 x 17 5/8 x 1 1/4 inches
(52.2 x 44.6 x 3.2 cm)
unique in a series of 20
Jared Buckhiester
all signs must be excessively clear, 2015
ink etching and watercolor monotype with chine collé
19 5/8 x 15 1/8 inches
(49.8 x 38.4 cm)
framed:
20 5/8 x 17 5/8 x 1 1/4 inches
(52.2 x 44.6 x 3.2 cm)
unique in a series of 20
Jared Buckhiester
the rise and fall of fortunes, 2015
ink etching and watercolor monotype with chine collé
19 5/8 x 15 1/8 inches
(49.8 x 38.4 cm)
framed:
20 5/8 x 17 5/8 x 1 1/4 inches
(52.2 x 44.6 x 3.2 cm)
unique in a series of 20
Jared Buckhiester
a light without shadow, 2014
ink etching and watercolor monotype with chine collé
19 5/8 x 15 1/8 inches
(49.8 x 38.4 cm)
framed:
20 5/8 x 17 5/8 x 1 1/4 inches
(52.2 x 44.6 x 3.2 cm)
unique in a series of 20
Tom of Finland
Untitled, 1983
colored pencil on paper
20 1/8 x 14 inches
(51.1 x 35.6 cm)
framed:
29 5/8 x 24 x 1 3/8 inches
(75.2 x 61 x 3.5 cm)
Paul Mpagi Sepuya
Positioning (_DSF7986), 2023
archival pigment print
60 x 48 inches
(152.4 x 121.9 cm)
framed:
61 x 49 x 2 inches
(154.9 x 124.5 x 5.1 cm)
Edition of 5, with 2 AP (#1/5)
Tom of Finland
Untitled (Preparatory Drawing), 1985
graphite on paper
11 5/8 x 8 1/4 inches
(29.5 x 21 cm)
framed:
17 1/8 x 13 3/4 x 1 1/2 inches
(43.5 x 34.9 x 3.8 cm)
Hajime Sorayama
Untitled, 2021
acrylic on illustration board
28 3/4 x 20 1/4 inches
(73 x 51.5 cm)
framed:
34 7/8 x 26 1/2 x 2 1/8 inches
(88.7 x 67.4 x 5.5 cm)
Tom of Finland
Untitled (from "Cyclist and the Farmer Boy"), 1973
graphite on paper
11 3/4 x 8 3/8 inches
(29.8 x 21.1 cm)
framed:
17 3/8 x 14 x 1 1/2 inches
(44.1 x 35.6 x 3.8 cm)
Nick Hoecker
Club Chair IV, 2026
Herman Miller Eames chair, Kaleita Physique sleeveless T-shirt, and Ammo bowling ball
39 1/4 x 27 3/4 x 31 1/4 inches
(99.7 x 70.5 x 79.4 cm)
Tom of Finland
Untitled (from Kake vol. 17 - "Loading Zone"), 1975
pen and ink on paper
12 7/8 x 9 1/2 inches
(32.7 x 24.1 cm)
framed:
18 5/8 x 15 1/8 x 1 1/2 inches
(47.3 x 38.4 x 3.8 cm)
Breyer P-Orridge
Yogass, 2000
Polaroid
4 x 4 inches
(10.2 x 10.2 cm)
framed:
16 3/4 x 14 3/4 x 1 1/4 inches
(42.5 x 37.5 x 3.2 cm)
Breyer P-Orridge
Full Lotus in 5-inch Heels, 1996
Polaroid
4 x 4 inches
(10.2 x 10.2 cm)
framed:
16 3/4 x 14 3/4 x 1 1/4 inches
(42.5 x 37.5 x 3.2 cm)
Breyer P-Orridge
Steel Egg, 1998
Polaroid
4 x 4 inches
(10.2 x 10.2 cm)
framed:
10 3/4 x 8 1/2 x 1 1/2 inches
(27.3 x 21.6 x 3.8 cm)
Robert Gober
Untitled, 1989
graphite on vellum
6 x 5 7/8 inches
(15.2 x 14.9 cm)
framed:
15 1/8 x 15 1/8 x 1 3/4 inches
(38.4 x 38.4 x 4.4 cm)
Jim Shaw
The Built In Twins, 2018
acrylic on muslin
41 1/4 x 51 1/8 x 1 3/4 inches
(104.8 x 129.7 x 4.4 cm)
G.B. Jones
Vaccine, 2025
graphite on paper
16 x 10 inches
(40.6 x 25.4 cm)
framed:
19 3/4 x 12 3/4 x 1 1/2 inches
(50.2 x 32.4 x 3.8 cm)
Cindy Sherman
Untitled, 1992
chromogenic color print
68 x 45 inches
(172.7 x 114.3 cm)
framed:
69 3/4 x 47 x 2 1/2 inches
(175.6 x 118.7 x 6 cm)
Edition of 6, with 1 AP (#6/6)
Cindy Sherman
Untitled, 1992
chromogenic color print
68 x 45 inches
(172.7 x 114.3 cm)
framed:
69 3/4 x 47 x 2 1/2 inches
(175.6 x 118.7 x 6 cm)
Edition of 6, with 1 AP (#6/6)
Cindy Sherman
Untitled, 1992
chromogenic color print
68 x 45 inches
(172.7 x 114.3 cm)
framed:
69 1/2 x 46 3/4 x 2 1/2 inches
(175.6 x 118.7 x 6 cm)
Edition of 6, with 1 AP (#1/6)
Paul McCarthy
Shit Face Fucked Up, 2009 / 2017
acrylic polyurethane on Matrix G
39 1/2 x 24 x 21 1/4 inches
(100.3 x 61 x 54 cm)
Steve Locke
cruisers (stall), 2023
oil on canvas
30 x 36 inches
(76.2 x 91.4 cm)
framed:
31 3/8 x 37 3/8 x 2 inches
(80 x 94.9 x 5.1 cm)
Christopher Culver
Bathhouse in Texas, 2012 / 2025
digital C-prints
six parts, each:
4 x 3 inches
(10.2 x 7.6 cm)
overall, framed:
11 x 34 x 1 1/2 inches
(27.9 x 86.4 x 3.8 cm)
Edition of 1, with 1 AP (#1/1)
Tom of Finland
Untitled, 1979
graphite on paper
15 3/4 x 11 3/4 inches
(40 x 29.7 cm)
framed:
18 x 14 1/2 x 1 1/2 inches
(45.7 x 36.8 x 3.8 cm)
Steve Locke
Cruisers #2, 2021
egg tempera and oil emulsion on Claybord
11 x 14 inches
(27.9 x 35.6 cm)
framed:
12 x 15 x 2 1/4 inches
(30.5 x 38.1 x 5.7 cm)
Julien Ceccaldi
Locker Room Etiquette, 2026
acrylic on wood panel
24 x 18 x 1 inches
(61 x 45.7 x 2.5 cm)
Namio Harukawa
Untitled 09, 1990
charcoal on paper
10 1/2 x 7 1/4 inches
(26.7 x 18.4 cm)
framed:
14 1/2 x 11 1/4 x 1 1/2 inches
(36.8 x 28.6 x 5 cm)
Tom of Finland
Untitled, c. 1986
graphite on paper
11 5/8 x 8 3/8 inches
(29.5 x 21.1 cm)
framed:
17 1/4 x 14 x 1 1/2 inches
(43.8 x 35.6 x 3.8 cm)
Jenna Gribbon
Cosmic Inflections, 2026
oil on linen
14 x 11 x 1 inches
(35.6 x 27.9 x 2.5 cm)
Paul P.
Untitled, 2024
watercolor on paper
11 3/4 x 7 1/2 inches
(30 x 19 cm)
framed:
17 3/4 x 13 1/4 x 1 1/2 inches
(45.1 x 33.7 x 3.8 cm)
Felix Gonzalez-Torres
"Untitled" (Para Un Hombre En Uniforme), 1991
red-white-and-blue lollipops, endless supply
dimensions variable
David Rappeneau
Untitled, 2024
acrylic, ballpoint pen, pencil, charcoal pencil, and acrylic marker on paper
24 1/4 x 18 1/2 inches
(61.6 x 47 cm)
framed:
27 3/8 x 21 5/8 x 1 1/2 inches
(69.5 x 54.9 x 3.8 cm)
Ana Benaroya
In the Limelight, 2026
India ink and marker on Bristol board
19 x 24 3/8 inches
(48.3 x 61.9 cm)
framed:
22 1/4 x 27 5/8 x 1 3/4 inches
(56.4 x 70 x 4.4 cm)
Steven Arnold
Untitled, 1974
ink on paper
10 1/2 x 7 1/2 inches
(26.7 x 19.1 cm)
framed:
14 x 10 3/4 x 1 3/8 inches
(35.6 x 27.3 x 3.5 cm)
Tom of Finland
Untitled, c. 1966 - 1990
mixed media on paper
11 1/2 x 8 1/4 inches
(29.2 x 21 cm)
framed:
16 7/8 x 13 5/8 x 1 1/2 inches
(42.9 x 34.6 x 3.8 cm)
Huma Bhabha
Untitled, 2026
ink, acrylic, and collage on C-print
30 7/8 x 20 7/8 inches
(78.4 x 53 cm)
framed:
36 x 26 x 1 5/8 inches
(91.4 x 66 x 4.1 cm)
Matthew Barney
CREMASTER 3: I Die Daily, 2002
C-print in acrylic frame
53 x 43 1/4 x 1 1/4 inches
(134.6 x 109.9 x 3.2 cm)
Edition of 6, with 2 AP (#6/6)
Bob Mizer
Jim Carroll (with antlers), 1951
selenium-toned gelatin silver print
9 3/8 x 7 3/8 inches
(23.8 x 18.7 cm)
framed:
14 3/4 x 12 3/4 x 1 3/8 inches
(37.5 x 32.4 x 3.5 cm)
Edition of 5 (#2/5)
Bob Mizer
Gustaf Holmes (with monkey), 1951
selenium-toned gelatin silver print
7 1/4 x 9 1/2 inches
(18.4 x 24.1 cm)
framed:
12 1/2 x 14 3/4 x 1 3/8 inches
(31.8 x 37.5 x 3.5 cm)
Edition of 5 (#1/5)
James Bidgood
Pan, c. 1960s / 2008
digital C-print
23 1/4 x 23 inches
(59.1 x 58.4 cm)
framed:
35 1/8 x 34 1/2 x 1 1/2 inches
(89.2 x 87.6 x 3.8 cm)
Edition of 15 (#11/15)
Mike Kuchar
Neptune's Catch, 1982
oil on canvas board, in artist's frame
29 1/4 x 41 1/4 x 1 1/4 inches
(74.3 x 104.8 x 3.2 cm)
Steven Arnold
Untitled, 1991
ink on paper
19 x 24 inches
(48.3 x 61 cm)
framed:
22 5/8 x 27 1/2 x 1 3/8 inches
(57.5 x 69.8 x 3.5 cm)
Jason Fox
Monsters in Love, 2023
ink and pencil on paper
16 x 12 inches
(40.6 x 30.5 cm)
framed:
20 5/8 x 16 3/4 x 1 3/4 inches
(52.4 x 42.4 x 4.4 cm)
Tom of Finland
Untitled, 1984
graphite on paper
17 1/4 x 12 1/8 inches
(43.8 x 30.8 cm)
framed:
20 3/4 x 16 x 1 1/2 inches
(52.7 x 40.6 x 3.8 cm)
Joey Strella
Chester Cheetah and Silly Rabbit, 2022
graphite on paper
5 x 5 1/2 inches
(12.7 x 14 cm)
framed:
12 1/8 x 12 5/8 x 1 1/4 inches
(30.8 x 32.1 x 3.2 cm)
Joey Strella
Martin and Dig'em Frog, 2022
graphite on paper
5 x 6 1/4 inches
(12.7 x 15.9 cm)
framed:
11 3/8 x 12 5/8 x 1 1/4 inches
(28.9 x 32.1 x 3.2 cm)
Joey Strella
Mr Brawny and Mr Clean, 2022
graphite on paper
5 1/2 x 6 1/2 inches
(14 x 16.5 cm)
framed:
11 7/8 x 12 1/2 x 1 1/4 inches
(30.2 x 31.8 x 3.2 cm)
Nick Hoecker
Heritage XIV, 2026
German wool blanket, Miata spare tire with vinyl leather cover, Tom of Finland Bootleg Magazine, Calvin Klein discounted underwear in box, Plexiglas cases, and hardware, in steel artist's frame
39 7/8 x 73 3/4 x 7 inches
(101.3 x 187.3 x 17.8 cm)
Ken Tisa
Tan Line, 1990 - 1998
acrylic on canvas
8 x 6 x 3/4 inches
(20.3 x 15.2 x 1.9 cm)
Tom of Finland
Untitled (Preparatory Drawing, from Kake vol. 7 - "Tea Room Odyssey"), 1970
ink and gouache on paper
8 3/8 x 5 7/8 inches
(21.1 x 14.9 cm)
framed:
14 x 11 1/2 x 1 1/2 inches
(35.6 x 29.2 x 3.8 cm)
Matthew Brannon
Adult Films, 2025
silkscreen on paper
28 x 25 inches
(71.1 x 63.5 cm)
framed:
30 3/4 x 27 3/4 x 1 3/8 inches
(78.1 x 70.5 x 3.5 cm)
George Quaintance
Sunset, 1953
oil on canvas
40 x 32 x 1 1/2 inches
(101.6 x 81.3 cm)
framed:
41 1/4 x 33 x 1 3/4 inches
(104.8 x 83.8 x 4.4 cm)
Tom of Finland
Untitled (from Kake vol. 23 - "In the Wild West"), 1982
pen and ink on paper
13 1/8 x 8 3/8 inches
(33.3 x 21.1 cm)
framed:
18 3/4 x 14 x 1 1/2 inches
(47.6 x 35.4 x 3.8 cm)
Tom of Finland
Untitled (from "Circus"), 1975
pen and ink on paper
11 5/8 x 8 1/4 inches
(29.5 x 21 cm)
framed:
17 x 13 5/8 x 1 1/2 inches
(43.2 x 34.6 x 3.8 cm)
William E. Jones
Piss Play, 1975, 2023
oil on canvas
25 x 15 x 3/4 inches
(63.5 x 38.1 x 1.9 cm)
framed:
26 1/4 x 16 1/4 x 1 3/8 inches
(66.7 x 41.3 x 3.5 cm)
S. Clay Wilson
Zap Comix #2Complete 1-Page Story Original Art (Apex Novelties, 1968), 1968
ink over graphite on board
12 x 8 1/2 inches
(30.5 x 21.6 cm)
framed:
14 5/8 x 11 x 1 1/2 inches
(37.1 x 27.9 x 3.8 cm)
Basil Wolverton
Jest, 1953
ink over graphite on Bristol board
7 1/2 x 7 1/2 inches
(19.1 x 19.1 cm)
framed:
10 1/2 x 10 x 1 1/2 inches
(26.7 x 25.4 x 3.8 cm)
Victor Moscoso
Mr. Peanut Metamorphosis (Zap no. 2), 1968
ink on paper
12 3/4 x 10 inches
(32.4 x 25.4 cm)
framed:
15 1/2 x 12 1/2 x 1 1/2 inches
(39.4 x 31.8 x 3.8 cm)
Spain Rodriguez
Trashman: "Roum 3 to Zeltron Z-32...", 1968
ink and graphite on paper
24 x 17 1/2 inches
(61 x 44.5 cm)
framed:
27 x 20 1/4 x 1 5/8 inches
(68.6 x 51.4 x 4.1 cm)
R. Crumb
Untitled (Crumb Hanging on Woman's Leg), 2007
ink and correction fluid on paper
15 5/8 x 12 1/2 inches
(39.7 x 31.8 cm)
framed:
22 x 18 3/4 x 1 1/2 inches
(55.9 x 47.6 x 3.8 cm)
R. Crumb
I was raised to be..., 2007
ink and correction fluid on paper
13 1/8 x 8 7/8 inches
(33.3 x 22.5 cm)
framed:
18 3/4 x 14 1/2 x 1 1/2 inches
(47.6 x 36.8 x 3.8 cm)
Tom of Finland
Untitled (from Mike - "In the Park" Pt. 2), 1975
pen and ink on paper
11 3/4 x 8 3/8 inches
(29.8 x 21.1 cm)
framed:
17 3/8 x 14 x 1 1/2 inches
(44.1 x 35.6 x 3.8 cm)
Basil Wolverton
Joker, 1955
ink over graphite on Bristol board
11 1/2 x 7 1/2 inches
(29.2 x 19.1 cm)
framed:
14 1/4 x 10 x 1 1/2 inches
(36.2 x 25.4 x 3.8 cm)
R. Crumb
Let's Eat!, 1968
ink on paper
9 5/8 x 7 5/8 inches
(24.4 x 19.4 cm)
framed:
12 x 10 x 1 inches
(30.5 x 25.4 x 2.5 cm)
Scott Burton
TWO-PART TABLE, 1989
Lake Placid Blue granite
20 x 60 x 40 inches
(50.8 x 152.4 x 101.6 cm)
Edition of 5 (#5/5)
P. Staff
The Foundation, 2015
single-channel HD video, color, sound
28:20 minutes
Edition of 5, with 2 AP (#2/5)
Hardy Hill
2 figures through open door, 2026
contact print from handmade negative on fiber paper
20 x 24 inches
(50.8 x 61 cm)
framed:
25 3/4 x 29 3/4 x 1 1/2 inches
(65.4 x 75.6 x 3.8 cm)
Tiona Nekkia McClodden
NEVER LET ME GO | XII. only by special order [12], 2024
black jute rope, leather, leather dye, and Saphir shoe polish
50 3/8 x 26 3/8 x 4 1/2 inches
(128 x 67 x 11.4 cm)
Tom of Finland
Untitled, 1989
marker and graphite on paper
11 5/8 x 5 7/8 inches
(29.5 x 14.9 cm)
framed:
18 x 12 x 1 1/2 inches
(45.7 x 30.5 x 3.8 cm)
Mark Grotjahn
Untitled (Darker Indigo Blue Rub for EH Mask M14.g), 2012
painted bronze
30 x 13 1/2 x 17 1/2 inches
(76.2 x 34.3 x 44.5 cm)
Greg Gaar
Dual Uniforms, San Francisco, CA, 1976 / 2026
archival giclée print
7 3/8 x 11 inches
(18.6 x 27.9 cm)
framed:
7 7/8 x 11 1/2 x 1 1/4 inches
(19.8 x 29.2 x 3.2 cm)
Edition of 3, with 1 AP (#1/3)
Greg Gaar
Leather Daddy, San Francisco, CA, 1975 / 2026
archival giclée print
11 x 7 3/8 inches
(27.9 x 18.6 cm)
framed:
11 1/2 x 7 7/8 x 1 1/4 inches
(29.2 x 19.8 x 3.2 cm)
Edition of 3, with 1 AP (#1/3)
Tom of Finland
Untitled, 1972
pen and ink on paper
11 1/4 x 7 5/8 inches
(28.6 x 19.4 cm)
framed:
17 1/2 x 13 7/8 x 1 1/2 inches
(44.5 x 35.2 x 3.8 cm)
Tom of Finland
Untitled, 1963
gouache on paper
10 7/8 x 8 1/2 inches
(27.6 x 21.6 cm)
framed:
20 1/2 x 16 1/2 x 1 1/2 inches
(52.1 x 41.9 x 3.8 cm)
Tom of Finland
Untitled, c. 1966 - 1990
mixed media on paper
11 5/8 x 8 1/4 inches
(29.5 x 21 cm)
framed:
16 3/8 x 13 5/8 x 1 1/2 inches
(41.6 x 34.6 x 3.8 cm)
Tom of Finland
Untitled, c. 1966 - 1990
mixed media on paper
11 1/2 x 8 1/4 inches
(29.2 x 21 cm)
framed:
16 7/8 x 13 5/8 x 1 1/2 inches
(42.9 x 34.6 x 3.8 cm)
Bob Mizer
Bill Atkins (with switchblade), c. 1957
selenium-toned gelatin silver print
9 1/2 x 7 1/4 inches
(24.1 x 18.4 cm)
framed:
14 3/4 x 12 1/2 x 1 3/8 inches
(37.5 x 31.8 x 3.5 cm)
Edition of 5 (#1/5)
Tom of Finland
Untitled (from "Pekka - Camping"), 1976
gouache on paper mounted on board
15 3/4 x 11 1/2 inches
(40 x 29.1 cm)
framed:
21 3/8 x 17 1/8 x 1 1/2 inches
(54.3 x 43.5 x 3.8 cm)
Nayland Blake
Spirits of the Streets, 2026
vinyl and metal
59 1/2 x 37 3/4 inches
(151.1 x 95.9 cm)
Edition of 3, with 1 AP (#1/3)
Peter Berlin
Untitled, c. 1970s
hand-painted gelatin silver print with collage
14 x 11 inches
(35.6 x 27.9 cm)
framed:
16 5/8 x 13 5/8 x 1 1/2 inches
(42.2 x 34.6 x 3.8 cm)
Peter Berlin
Untitled, c. 1970s
vintage hand-painted gelatin silver print
13 3/4 x 10 inches
(34.9 x 25.4 cm)
framed:
16 3/8 x 12 5/8 x 1 1/2 inches
(41.6 x 32.1 x 3.8 cm)
Tom of Finland
Untitled (Peter Berlin, Preparatory Drawing), 1978
graphite on paper
11 3/4 x 8 1/4 inches
(29.8 x 21 cm)
framed:
20 1/4 x 16 1/4 x 1 1/2 inches
(51.4 x 41.3 x 3.8 cm)
Ken Tisa
New Wig, New Face, 1990 - 1998
acrylic on canvas
20 x 16 x 3/4 inches
(50.8 x 40.6 x 1.9 cm)
Peter Hujar
Cockette Kreemah Ritz, 1971
gelatin silver print
16 7/8 x 13 3/4 inches
(42.9 x 34.9 cm)
framed:
24 1/4 x 21 1/4 x 1 1/8 inches
(61.6 x 54 x 2.9 cm)
Elizabeth Sunflower
Untitled (Allen Ginsberg and the Cockettes), San Francisco, CA, 1971 / 2026
archival giclée print
7 3/8 x 11 inches
(18.6 x 27.9 cm)
framed:
7 7/8 x 11 1/2 x 1 1/4 inches
(19.8 x 29.2 x 3.2 cm)
Edition of 3, with 1 AP (#1/3)
Elizabeth Sunflower
Cockette, Golden Gate Park, San Francisco, CA, 1971 / 2026
archival giclée print
11 x 7 3/8 inches
(27.9 x 18.6 cm)
framed:
11 1/2 x 7 7/8 x 1 1/4 inches
(29.2 x 19.8 x 3.2 cm)
Edition of 3, with 1 AP (#1/3)
James Bidgood
Painting Session, c. 1960s / 2022
digital C-print
15 x 15 inches
(38.1 x 38.1 cm)
framed:
22 1/4 x 22 1/4 x 1 1/4 inches
(56.5 x 56.5 x 3.2 cm)
Edition of 25 (#2/25)
James Bidgood
Bobby Nude from Below, First Cover (Bobby Kendall), c. 1960s / 2025
digital C-print
15 x 15 inches
(38.1 x 38.1 cm)
framed:
22 1/4 x 22 1/4 x 1 1/4 inches
(56.5 x 56.5 x 3.2 cm)
Edition of 25 (#1/25)
Jack Smith
Untitled, 1982
collage with black and white photograph
7 1/2 x 9 1/2 inches
(19.1 x 24.1 cm)
framed:
11 x 13 x 1 1/2 inches
(27.9 x 33 x 3.8 cm)
Steven Arnold
Untitled "Ta Ta" costume design for an unrealized opera, 1988
ink on paper
10 x 8 inches
(25.4 x 20.3 cm)
framed:
14 5/8 x 12 1/8 x 1 3/8 inches
(37.1 x 30.8 x 3.5 cm)
Jack Smith
Untitled, c. 1982
mixed media on paper
13 7/8 x 16 3/4 inches
(35.2 x 42.5 cm)
framed:
17 x 19 3/4 x 1 7/8 inches
(43.2 x 50.2 x 4.8 cm)
Ken Tisa
When I was a Queen, 1990 - 1998
acrylic on canvas
20 x 16 x 3/4 inches
(50.8 x 40.6 x 1.9 cm)
Tom of Finland
Untitled, c. 1968
graphite on paper
8 3/8 x 5 7/8 inches
(21.1 x 14.9 cm)
framed:
14 x 11 1/2 x 1 1/2 inches
(35.6 x 29.2 x 3.8 cm)
Hugh Steers
Floor Mirror, 1989
oil on canvas
40 x 47 1/2 x 2 1/8 inches
(101.6 x 120.7 x 5.4 cm)
framed:
41 3/4 x 49 1/4 x 3 inches
(106 x 125.1 x 7.6 cm)
Jory Drew
Untitled (Fun Size), 2026
glazed stoneware
21 1/2 x 17 3/8 x 17 3/8 inches
(54.6 x 44.1 x 44.1 cm)
Tom of Finland
Untitled (Preparatory Drawing, from Kake vol. 13 - "Sightseeing"), 1973
graphite on paper
11 3/4 x 8 1/4 inches
(29.8 x 21 cm)
framed:
17 3/4 x 14 3/4 x 1 3/4 inches
(45.1 x 37.5 x 4.4 cm)
Tom of Finland
Untitled (Preparatory Drawing), 1988
graphite and ink on paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)
framed:
17 3/4 x 14 3/4 x 1 3/4 inches
(45.1 x 37.5 x 4.4 cm)
Tom of Finland
Untitled (Preparatory Drawing, from "I Fuck All Police"), 1966
graphite on paper
8 1/4 x 5 7/8 inches
(21 x 14.9 cm)
framed:
14 1/2 x 12 x 1 3/4 inches
(36.8 x 30.5 x 4.4 cm)
Mike Kelley
Untitled #3, 2008
mixed media on paper
29 x 23 inches
(73.7 x 58.4 cm)
framed:
33 x 27 x 1 3/8 inches
(83.8 x 68.6 x 3.5 cm)
Mike Kelley
Lobed, 2008 - 2009
acrylic on canvas, in artist's frames
four parts, overall:
102 5/8 x 22 1/4 x 1 1/4 inches
(260.7 x 56.5 x 3.2 cm)
Ruby Neri
Fill My Cup, 2026
ceramic with glaze
33 1/2 x 22 x 22 inches
(85.1 x 55.9 x 55.9 cm)
Chris Martin
Red, Green, Yellow and Brown, 2024 - 2026
acrylic and glitter on canvas
19 x 16 x 2 1/2 inches
(48.3 x 40.6 x 6.3 cm)
Ebecho Muslimova
Fatebe on the Burnt Side, 2025
oil on canvas
72 x 72 x 1 1/2 inches
(182.9 x 182.9 x 3.8 cm)
Jonathan Lyndon Chase
Twin Mountains, 2026
charcoal on paper
22 1/2 x 15 3/4 inches
(57.1 x 40 cm)
framed:
25 1/4 x 18 1/2 x 1 1/2 inches
(64 x 46.8 x 3.8 cm)
Jonas Wood
Bowe V. Valuev, 2014
gouache and colored pencil on paper
25 1/4 x 27 5/8 inches
(64 x 70.2 cm)
framed:
28 1/4 x 30 7/8 x 1 3/4 inches
(71.8 x 78.4 x 4.4 cm)
Martin of Holland
Beneath the “Eagle’s” Toilets, 1987
mixed media on paper
8 1/8 x 11 3/8 inches
(20.6 x 28.9 cm)
framed:
10 1/8 x 13 3/8 x 1 inches
(25.7 x 34 x 2.5 cm)
Martin of Holland
Punker’s Delight, 1984
mixed media on paper
12 5/8 x 9 5/8 inches
(32.1 x 24.4 cm)
framed:
14 1/2 x 11 1/2 x 1 inches
(36.8 x 29.2 x 2.5 cm)
Tom of Finland
Untitled (from "Camping"), 1976
pen, ink, and gouache on board
11 3/4 x 8 1/4 inches
(29.8 x 21 cm)
framed:
17 1/4 x 13 1/2 x 1 1/2 inches
(43.8 x 34.3 x 3.8 cm)
Tala Madani
Spirit Orgy, 2026
oil on linen
17 x 20 inches
(43.2 x 50.8 cm)
Aaron Gilbert
threading, 2026
oil on linen
31 3/4 x 22 3/4 x 1 1/2 inches
(80.6 x 57.8 x 3.8 cm)
Salman Toor
Poet-Clown, 2024
oil on panel
24 x 18 x 1 1/2 inches
(61 x 45.7 x 3.8 cm)
Monica Majoli
Blueboy (Rameses), 2023
watercolor woodcut transfer on paper
68 1/2 x 57 1/2 inches
(174 x 146.1 cm)
framed:
72 1/4 x 61 1/2 x 2 inches
(183.5 x 156.2 x 5.1 cm)
Anita Steckel
Untitled, Anita of NY Meets Tom of Finland, 2005
oil and colored pencil on book page with collage
16 x 13 inches
(40.6 x 33 cm)
framed:
20 3/4 x 16 3/4 x 1/2 inches
(52.7 × 42.5 × 3.8 cm)
Anita Steckel
Untitled, Anita of NY Meets Tom of Finland, 2004
oil on book page with collage
16 3/4 x 14 inches
(42.5 x 35.6 cm)
framed:
20 3/4 x 16 3/4 x 1/2 inches
(52.7 × 42.5 × 3.8 cm)
Kye Christensen-Knowles
Epilogue, 2026
oil on linen
29 x 22 1/4 x 1 inches
(73.7 x 56.4 x 2.5 cm)
framed:
35 3/4 x 28 7/8 x 2 inches
(90.6 x 73.3 x 5.1 cm)
Tiona Nekkia McClodden
NEVER LET ME GO | XXVI. wide open [26], 2025
black jute rope, leather, leather dye, and Saphir shoe polish
50 3/8 x 26 3/8 x 2 3/4 inches
(128 x 67.1 x 7 cm)
Tom of Finland
Untitled (from Kake vol. 17 - "Loading Zone"), 1975
pen and ink on paper
13 x 9 1/2 inches
(33 x 24.1 cm)
framed:
19 1/4 x 15 3/4 x 1 1/2 inches
(48.9 x 40 x 3.8 cm)
Sam McKinniss
Amanda Lepore, 2026
oil on linen
66 x 42 x 1 1/2 inches
(167.6 x 106.7 x 3.8 cm)
framed:
67 1/2 x 43 1/2 x 2 1/4 inches
(171.4 x 110.5 x 5.7 cm)
Donald Moffett
Lot 020425 (the probe, A), 2025
oil on linen on panel with steel hardware
20 1/4 x 16 x 3 1/8 inches
(51.4 x 40.6 x 7.9 cm)
Ramsey Alderson
Pure Morning, 2026
oil, acrylic, and charcoal on canvas
72 x 24 1/8 x 1 1/4 inches
(182.9 x 61.3 x 3.2 cm)
Paul Cadmus
Nude with Mirror, c. 1960s
colored pencil and Conté crayon on blue paper
26 x 18 1/2 inches
(66 x 47 cm)
framed:
31 x 24 x 1 1/2 inches
(78.7 x 61 x 3.8 cm)
Robert Mapplethorpe
Lisa Lyon, 1982
gelatin silver print
20 x 16 inches
(50.8 x 40.6 cm)
framed:
29 x 24 x 1 1/4 inches
(73.7 x 61 x 3.2 cm)
Edition of 10, with 2 AP (AP 2/2)
Cassils
Pin Up from the Magazine Lady Face Man Body, No. 3, 2011
archival pigment print
18 x 14 1/8 inches
(45.7 x 35.9 cm)
framed:
18 3/4 x 14 7/8 x 1 1/2 inches
(47.5 x 37.6 x 3.8 cm)
Edition of 10 (#3/10)
Jonathan Lyndon Chase
pulling folds, 2026
charcoal on paper
15 1/2 x 11 3/4 inches
(39.4 x 29.8 cm)
framed:
18 1/4 x 14 1/2 x 1 1/2 inches
(46.2 x 36.7 x 3.8 cm)
Go Mishima
Untitled, c. 1970 - 1989
ink on paper
21 5/8 x 15 inches
(55 x 38 cm)
framed:
29 1/2 x 22 7/8 x 1 3/8 inches
(75 x 58 x 3.5 cm)
Doron Langberg
Lover, 2024
oil on linen
30 x 24 1/4 x 1 inches
(76.2 x 61.6 x 2.5 cm)
Paul Cadmus
Untitled, c. 1960 - 1980
chalk on beige laid paper
13 1/4 x 19 inches
(33.7 x 48.3 cm)
framed:
17 3/8 x 23 1/8 x 1 1/2 inches
(44.1 x 58.7 x 3.8 cm)
Richard Hawkins
Most Eligible Bastard, 2023
oil on canvas
16 x 20 x 1 inches
(40.6 x 50.8 x 2.5 cm)
Richard Hawkins
Poor Substitute, 2026
oil on canvas
21 x 19 x 1 inches
(53.3 x 48.3 x 2.5 cm)
Richard Hawkins
Capital Queue, 2023
oil and collage on canvas
16 x 20 x 1 inches
(40.6 x 50.8 x 2.5 cm)
Richard Hawkins
Main Character Syndrome, 2026
oil on canvas
20 x 24 x 1 inches
(50.8 x 61 x 2.5 cm)
Richard Hawkins
Late One Night at the Candy Factory, 2023
oil on canvas
16 x 20 x 1 inches
(40.6 x 50.8 x 2.5 cm)
The Cockettes, The Angels of Light, and Martin Wong
Selection of archival ephemera, c. 1969 - 1970s
David Kordansky Gallery is pleased to present Tom’s Stretch, an exhibition of works by more than seventy artists engaging with Tom of Finland’s radical ability to imagine a physique—and a world—that did not yet exist in popular culture. The exhibition is on view in Los Angeles at 5130 W. Edgewood Pl. from July 10 through August 22, 2026. An opening reception will be held on Friday, July 10, from 6 – 8 PM.
This generation-spanning exhibition includes works by Tom of Finland alongside Ramsey Alderson, Angels of Light, Steven Arnold, Matthew Barney, Ana Benaroya, Peter Berlin, Huma Bhabha, James Bidgood, Nayland Blake, Matthew Brannon, Jared Buckhiester, Scott Burton, Paul Cadmus, Cassils, Julien Ceccaldi, Jonathan Lyndon Chase, Kye Christensen-Knowles, The Cockettes, R. Crumb, Christopher Culver, Jory Drew, Jason Fox, Greg Gaar, Aaron Gilbert, Robert Gober, Felix Gonzalez-Torres, Jenna Gribbon, Mark Grotjahn, Namio Harukawa, Richard Hawkins, Hardy Hill, Nick Hoecker, Peter Hujar, G.B. Jones, William E. Jones, Mike Kelley, Mike Kuchar, Doron Langberg, Steve Locke, Tala Madani, Monica Majoli, Robert Mapplethorpe, Chris Martin, Martin of Holland, Paul McCarthy, Tiona Nekkia McClodden, Sam McKinniss, Go Mishima, Bob Mizer, Donald Moffett, Victor Moscoso, Ebecho Muslimova, Ruby Neri, Paul P., Breyer P-Orridge, George Quaintance, David Rappeneau, Spain Rodriguez, Paul Mpagi Sepuya, Jim Shaw, Cindy Sherman, Jack Smith, Hajime Sorayama, P. Staff, Anita Steckel, Hugh Steers, Joey Strella, Elizabeth Sunflower, Ken Tisa, Salman Toor, S. Clay Wilson, Basil Wolverton, Martin Wong, and Jonas Wood.
By channeling private fantasy into virtuosic drawings, Tom of Finland (Touko Laaksonen, 1920–1991) created a libidinal realm in which freedom and pleasure were the reigning tenets. Tom’s Stretch gestures toward the lasting reach of Tom’s legacy, and the expanded, transformative, and more permissive definitions of the body—and of art itself—that his work makes possible. Throughout the exhibition, his iconic visual language forms a link between the early underground worlds of queer desire and an ever-evolving semiotics of the figure, as charted by countless artists of subsequent generations.
Long before the era of HGH and steroid-sculpted torsos, Tom’s muscle-bound studs, and the homoerotic dramas he placed them in, redrew the boundaries of what art should or could represent. Just as Tom recast jackbooted figures of authority as emblems of sexual freedom, many of the works on view transgress normative representations of the body in favor of more expansive, subjective expressions. Huma Bhabha sees the figure as a cypher for natural, cultural, and speculative histories, while Ana Benaroya, Ebecho Muslimova, and Ruby Neri respond to the art historical template of the nude through representations that are, by turns, ripped, assertive, and ribald. Other works connect the project of feminism to broader calls for liberation, as in Anita Steckel’s late-career photomontages, in which romantic female nudes serve as monumental guardians of Tom’s lovers. Where depictions of intimacy, agency, and vulnerability capture the relational power of in-real-life encounters, elsewhere the figure appears as fragment, surface, or abstraction—flesh transmogrified into object, or a presence implied through negative space.
In a theme reiterated throughout the exhibition, the body is imagined as an instrument for unbridled fantasy and wish fulfillment. The camp reveries of James Bidgood’s late-1960s photographs look to costuming and set design to suggest alternative Hollywood narratives, while the painting by Mike Kuchar, whose illustrations appeared in homoerotic magazines in the 1980s and 90s, literalizes the idea of the “catch” to mythologic proportions. Represented through archival ephemera, the Cockettes, a legendary theater troupe active in the late 1960s and early 1970s, combined psychedelia, satire, and pageantry in avant-garde drag performances just as San Francisco’s gay rights movement was gaining momentum. Many of the artworks on view were created in the brief window between the Stonewall Uprising and the AIDS epidemic, imbuing them with the devastating poignancy of what if.
The risks Tom took in his imagery were matched by his groundbreaking approach to production and distribution. Constrained by obscenity laws early in his career, Tom’s drawings circulated in transcontinental underground networks, first printed in beefcake magazines like Bob Mizer’s trailblazing Physique Pictorial and eventually in self-published zines and mail-order graphic novels. These alternative models of creation and distribution exemplify a DIY approach that helped shape a burgeoning punk ethos while simultaneously galvanizing a global gay community. In Japan, Go Mishima was empowered to begin making art after encountering Tom’s drawings in the 1950s, while Canadian artist G.B. Jones’s Tom Girls zine reimagines her predecessor’s artworks through a lesbian lens.
In the late 1960s, Zap Comix—the countercultural publication whose contributors included R. Crumb, Spain Rodriguez, and others—harnessed, as Tom did, the legibility and easy reproducibility of the comic form to wage incisive critiques against the status quo. A generation later, the radical permissiveness at the heart of Tom’s continuing output inspired a cadre of LA artists. Mike Kelley, for example—celebrated for his sui generis ability to evoke the psychic via the vernacular—actively collected Tom’s work and invited him to lecture at CalArts in 1985, where he cited Tom’s influence on his practice. Likewise, the visual language of multidisciplinary artist Richard Hawkins, whom Kelley mentored, shares a mood of exuberant hedonism with Tom’s erotic fictions. Hawkins’s engagement with Tom extended in professional and personal ways, too: for years he served as a steward of the artist’s legacy through his work with the Tom of Finland Company (now the Tom of Finland Foundation) at its Echo Park headquarters.
Tom established a new paradigm of queer visibility by illustrating a utopic social territory in which love and liberation counter oppression and restriction. In the seventy years since his first works circulated, as cultural and political battles around bodily autonomy continue, the artworks assembled in Tom’s Stretch ask, what does a fully embodied life really look like? What forms can it take? And how does it feel?
Tom of Finland (b. 1920, d. 1991) has been the subject of numerous solo and two-person exhibitions across the globe, including Beryl Cook/Tom of Finland, Studio Voltaire, London, England (2024); Tom of Finland: Bold Journey, Museum of Contemporary Art Kiasma, Helsinki, Finland (2023); Tom of Finland – The Darkroom, Fotografiska, Stockholm, Sweden; Tallinn, Estonia, and New York, NY (2020–2021); Reality & Fantasy: The World of Tom of Finland, Gallery X, Tokyo and Osaka, Japan (2020); and TOM House: The Work and Life of Tom of Finland, Mike Kelley’s Mobile Homestead, Museum of Contemporary Art Detroit, MI (2018); among many. Recent group exhibitions include Beyond the Rainbow, Bunker Artspace, West Palm Beach, FL (2025); Art & Porn, ARoS Aarhus Art Museum, Aarhus, Denmark, and Kunsthal Charlottenborg, Copenhagen (2020); Camp: Notes on Fashion, Metropolitan Museum of Art, New York, NY (2019); Keep Your Timber Limber (Works on Paper), Institute of Contemporary Art, London, England (2013); and We the People, Robert Rauschenberg Foundation, New York, NY (2012). His work is in the permanent collections of institutions including The Museum of Modern Art, New York, NY; Museum of Contemporary Art Kiasma, Helsinki, Finland; Art Institute of Chicago, IL; Los Angeles County Museum of Art, CA; and SFMOMA, San Francisco, CA.
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