Andrea Büttner (b. 1972, Stuttgart, Germany) asks foundational questions about how art functions in culture, but also about how it operates as a psychological phenomenon for the individual maker or viewer. She alternates between forms like the woodcut, which privileges the use of the hand and the rough interaction of materials, and research-based projects that delineate the broader contexts in which her ideas circulate. In both cases, however, her work is conceptually oriented, even as it suggests that institutional and political critiques can also be defined by visual expressivity. Her use of imagery evocative of religious themes (particularly those associated with Catholic monastic traditions), as well as her open engagement with philosophical texts, highlight contrasts between the commodification of contemporary art and the intellectual and emotional possibilities offered by other aesthetic modes. By opening up artistic discourse in these ways, she focuses attention on subjective experiences of putting art out into the world and confronts the paradoxical emotions that accompany such acts.
Andrea Büttner was shortlisted for the Turner Prize in 2017. She has been the subject of numerous solo exhibitions in museums and institutions worldwide, including the Hammer Museum, Los Angeles (2017); Kunst Halle Sankt Gallen, Switzerland (2017); Kunsthalle Wien, Austria (2016); Walker Art Center, Minneapolis (2015); Museum Ludwig, Cologne (2014); Tate Britain, London (2014); Walter Phillips Gallery, Banff Centre, Canada (2014); National Museum Cardiff, Wales (2014); Douglas Hyde Gallery, Dublin (2014); and MMK Museum für Moderne Kunst, Frankfurt (2013). Her work is in the permanent collections of many institutions, including the Aspen Art Museum, Colorado; MMK Museum für Moderne Kunst, Frankfurt; Museum Ludwig, Cologne; Museum of Modern Art, New York; Tate, London; and Walker Art Center, Minneapolis. Büttner lives and works in Berlin.
Andrea Büttner
Diver, 2017
woodcut
85 3/4 x 45 5/8 inches
(217.8 x 115.9 cm)
framed:
88 x 48 x 1 1/2 inches
(223.5 x 121.9 x 3.8 cm)
Andrea Büttner
Painted Stones, 2017
suite of 37 prints
silver gelatin print
dimensions variable
Installation view, Hammer Museum, Los Angeles
Andrea Büttner
Fabric Painting (orange/blue corner), 2015
stretched fabric
each:
51 1/8 x 33 1/2 x 7/8 inches
(130 x 85 x 2.2 cm)
Andrea Büttner
Phone Etching, 2015
etching
76 3/4 x 44 1/8 inches
(194.9 x 112.1 cm)
framed:
85 5/8 x 46 3/4 x 2 1/8 inches
(217.5 x 118.7 x 5.4 cm)
Andrea Büttner
Moss, 2014
gypsum
19 11/16 x 47 1/4 x 27 1/2 inches
(50 x 120 x 69.9 cm)
Andrea Büttner
Images in Kant's Critique of the Power of Judgment, 2014
offset lithograph print
66 15/16 x 47 1/4 inches
(170 x 120 cm)
framed:
73 3/8 x 51 1/8 x 1 1/2 inches
(186.4 x 129.9 x 3.8 cm)
Andrea Büttner
Piano Destructions, 2014,
Five channel video installation with nine channel sound piece
Installation view, Walter Phillips Gallery, The Banff Centre
Andrea Büttner
Heap (red), 2013
reverse glass painting
15 1/2 x 12 5/8 x 1/8 inches
(39.4 x 32.1 x .3 cm)
Andrea Büttner
Piano, 2013
woodcut
57 1/4 x 88 3/16 inches
(145.4 x 224 cm)
Andrea Büttner
Little Sisters: Lunapark Ostia, 2012
HD video
42 minutes, looped
Andrea Büttner
Tent (psychedelic), 2012
woodcut
61 1/4 x 55 1/8 inches
(155.6 x 140 cm)
framed:
66 1/4 x 60 1/8 x 1 1/2 inches
(168.3 x 152.7 x 3.8 cm)
Andrea Büttner
Vogelpredigt (sermon to the birds), 2010
woodcut
diptych, each:
70 7/8 x 47 1/4 inches
(180 x 120 cm)